...Through these experiences in Milan, the cultural center, Parini gradually broke away from the influence of the Arcadian school and leaned towards the Enlightenment that was spreading in Europe at that time. In 1757, he wrote the prose poem "Dialogue on the Nobility" as his first literary expression. In this work, two dead men, a nobleman and a poet, buried in the same cemetery, have a dialogue about the privileges of the nobility, and reach a conclusion in which they confirm the fundamental equality of human beings. The ideas that flow in the background of this work are inherited in his masterpiece "A Day". This masterpiece is a long poem consisting of four parts: "Early Morning" (1763), "Midday" (1765), "Twilight" and "Late Night" (both unfinished and published in 1801), and while it takes the form of a tutor instructing his young student, a nobleman, on how to spend his day, it exposes the emptiness, corruption and vices of aristocratic society. ... *Some of the terminology explanations that mention "One Day" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…文化の中心地ミラノにおけるこれらの経験を通じて,しだいにパリーニはアルカディア派の影響を脱し,当時ヨーロッパに広まっていた啓蒙主義に傾斜していくが,57年には,その最初の文学的表現として,散文詩《貴族に関する対話》を著した。この作品は,同じ墓地に埋葬された貴族と詩人の2人の死者が,貴族の特権をめぐって対話を重ねるうちに,人間の根源的な平等性を確認しあう結論に達するもので,その背景に流れる思想は,代表作《一日》に受け継がれていく。この代表作は,《早朝》(1763),《真昼時》(1765),《黄昏》《深夜》(ともに未完のまま1801刊)の全4部からなる長編詩で,家庭教師が教え子の若い貴族に一日の過ごし方を教え諭すという体裁をとりながら,貴族社会の虚無と腐敗と悪徳を明るみに出してみせた。… ※「《一日》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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