The title of a koto piece. A work from the late Edo period. It is one of the five pieces in the "Kokin Group" (pieces composed to songs from the Kokin Wakashu) composed by Yoshizawa Kengyo II (1800-72). However, in this piece, the opening tune is taken from the Kokin Wakashu and the closing tune from the Kinyoshu, and both tunes include the plover, hence the title. Yoshizawa Kengyo was a composer who tried to pave a unique path for koto music influenced by the shamisen, and he inherited the intentions of Mitsuzaki Kengyo, who composed "Akikaze no Kyoku." The composition of the piece is Maebiki - Maebiki - Tegoto - Atogoto, and this is the only one of the five pieces in the Kokin Group that has a tegoto instrumental section that is only for the koto. Although it is originally an Ikuta school piece, it is also performed in the Yamada school, and along with "Rokudan," it is one of the most well-known pieces. [Kiyoko Moteki] Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
箏曲(そうきょく)の曲名。江戸末期の作品。2世吉沢検校(けんぎょう)(1800―72)作曲の五曲の「古今組」(『古今和歌集』の歌に作曲した曲)中の一曲。しかしこの作品では、前唄(まえうた)は『古今和歌集』、後唄(あとうた)は『金葉集』からとり、二歌とも千鳥を詠み込んでいるのでこの曲名がある。吉沢検校は、三味線に影響された箏曲に、箏曲独自の道を開こうとした作曲家で、『秋風の曲』をつくった光崎(みつざき)検校の意図を受け継いでいる。曲の構成は、前弾(まえびき)―前唄―手事(てごと)―後唄となっており、手事という箏(こと)のみの器楽的部分をもつのは「古今組」五曲のうちこの曲だけである。本来は生田(いくた)流の曲だが、山田流でも演奏し、『六段』とともにもっともよく知られた作品でもある。 [茂手木潔子] 出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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