An autobiographical anti-literature novel by American author Henry Miller. Published in France in 1934 and in the United States in 1961. Disillusioned with the money-driven, anti-artistic American society, Miller travels to Paris virtually naked and penniless, living a bohemian life with his aspiring artist friends. There are no characters or plot in the traditional sense, but instead, realistic depictions of events are juxtaposed with metaphysical contemplations and the protagonist/narrator's monologue. Influenced by the Norwegian writer Hamsun, the French writer Celine, and the Americans Whitman and Thoreau, Miller criticizes the general human being in modern society who is bound by organizations, controlled by narrow-minded ideas, prejudice, and fear, and can only live a "life of death," and sings of the origins of new life. The "scream" of this artist, who is by no means young, is grounded in the eternal and universal nature of human beings and, at times, has a religious and mystical severity, and at other times, Rabelaisian humor, giving internal consistency to a novel that lacks consistency and structure. [Masaaki Tsutsui] "Tropic of Cancer" translated by Yasuo Okubo (Shincho Bunko) [Reference] |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
アメリカの作家ヘンリー・ミラーの自伝的な反文学の小説。フランスで1934年、アメリカで1961年刊。金がすべてで非芸術的なアメリカ社会に愛想を尽かし、裸同然の無一文でパリに渡ったミラーと芸術家志望の友人たちとのボヘミアン生活を描いたもの。伝統的な意味での登場人物やプロットといったものはなく、できごとの写実的な描写と形而上(けいじじょう)学的な観想、主人公=語り手の独白とが並べて置かれていたりする。ノルウェーの作家ハムスン、フランスのセリーヌ、あるいはアメリカのホイットマン、ソローの影響のもとに、組織に縛られ、偏狭な観念と偏見と恐怖に支配されて「死の生」しか生きることのできない現代社会の人間一般を批判し、新しい生命の根源を歌い上げようとする。その人間の永遠的な普遍の自然に立脚する、けっして若くはない芸術家の「叫び」は、ときには宗教的、神秘的な厳しさをもち、ときにはラブレー的なユーモアをもって、一貫性と構築性のない小説に、内的な一貫性を与えている。 [筒井正明] 『大久保康雄訳『北回帰線』(新潮文庫)』 [参照項目] |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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