...This idea was a hit and was very well received. In the Taisho period, "Ataka Barrier" was revived by Ichikawa Ennosuke II (later known as Saruon), and "Irotezuna Koi no Sekifuda" was revived by Nakamura Fukusuke V. In January 1967, the National Theater revived the above two scenes in the form of a continuous kyogen performance, adding the original third scene, "Shibaraku." ... *Some of the terminology that refers to "Ataka Barrier" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…この趣向が当たり大好評であった。なお,大正期に《安宅の関》は2世市川猿之助(のちの猿翁)により,《色手綱恋の関札》は5世中村福助により復活。1967年1月には国立劇場で,2世尾上松緑により前記2場に原作三建目〈暫〉の場を加えた3場面が通し狂言の形で復活上演されている。… ※「《安宅の関》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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