…In France, reed stops that imitated the tone of wind instruments of the time were popular, and although the organ was a church instrument, it also acquired the elegance required for court music. French classical organ music, which began with Jehan Titelouze (1563?-1633), reached its zenith during the reign of Louis XIV in the second half of the 17th century, and many composers, including N. Lebègue (1631-1702), F. Couperin, N. de Grigny (1672-1703), and L.-N. Clérambault (1676-1749), were active mainly in the chapel of the Palace of Versailles. The organ music of this period, which is rich in ornamental sounds, clearly shows the influence of the clubsin music of the court. … *Some of the terminology that mentions "Titelouze, J." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…フランスでは,当時の管楽器の音色を模したリード・ストップが好まれ,オルガンは教会の楽器でありながら,宮廷音楽のための優雅さをも備えるようになった。ティトルーズJehan Titelouze(1563?‐1633)に始まるフランス古典期のオルガン音楽は,17世紀後半のルイ14世時代に全盛をむかえ,ルベーグN.Lebègue(1631‐1702),F.クープラン,グリニN.de Grigny(1672‐1703),クレランボーL.‐N.Clérambault(1676‐1749)など多くの作曲家が,ベルサイユ宮殿礼拝堂を中心に活躍した。装飾音の豊富なこの時代のオルガン音楽には,明らかに宮廷でのクラブサン音楽の影響が認められる。… ※「Titelouze,J.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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