Born: August 1, 1819 in New York [Died] September 28, 1891. New York. American novelist and poet. Born into a family of merchants with a long history, his father went bankrupt when he was a boy and died soon after. After working in a few jobs, he joined a merchant ship in 1839, and from 1841 spent four years wandering as a crew member on a whaling ship and a warship. Based on his experiences in the South Pacific islands during that time, he published Typee (1846) and Omoo (47), which became best-sellers as tales of adventure in the South Seas. However, his third work, Mardi (49), also set in the South Seas, was a metaphysical allegory, and was unpopular. For financial reasons, he published two maritime novels based on his own experiences, Redburn (49) and White-Jacket (50). Later, he became friends with the older writer Hawthorne and wrote critical reviews praising his works, and was greatly influenced by his insight into the darkness of the human heart and his symbolic techniques. In 1951, he published his masterpiece Moby-Dick, but it was not well received by the reading public at the time, and his next masterpiece Pierre (52), which depicts the tragedy of an idealistic young man's search for truth, was also ignored. After that, he published short stories in magazines, including the existentialist masterpiece Bartleby the Scrivener (53) and Benito Cereno (55), and compiled them in a collection of short stories The Piazza Tales (56). After The Confidence-Man (57), a strange book of pessimistic misanthropy, he turned to poetry, and published several books of poetry, including Clarel (70), a long poem about pilgrimages to sacred places. In his later years, he worked at the customs office and lived a life forgotten by the world, and his true value was never recognized during his lifetime. His posthumously published novella Billy Budd (1924) gives a glimpse of the tranquil state of mind and resignation he had reached in his later years. In the 20th century, his insight into the depths of human existence and his diverse symbolic style made him one of the great masters of world literature. Melville |
[生]1819.8.1. ニューヨーク [没]1891.9.28. ニューヨーク アメリカの小説家,詩人。古い家柄の貿易商の家に生れたが,少年時代に父が破産,まもなく死亡したため,2,3の職業に従事したのち,1839年商船に乗込み,41年からは,4年間捕鯨船や軍艦の乗組員として放浪生活をおくる。そのおりの南太平洋の島々での経験をもとに『タイピー』 Typee (1846) ,『オムー』 Omoo (47) を出版,南海の冒険譚としてベストセラーになった。しかし,第3作『マーディ』 Mardi (49) は同様に南海を舞台にしたものの,一変して形而上的な寓意物語であり,不評であった。経済的理由から,自己の体験を素材に『レッドバーン』 Redburn (49) ,『ホワイト・ジャケット』 White-Jacket (50) の海洋小説2作を出版。その後,先輩作家ホーソーンとの交友,その作品を絶賛する評論の執筆などがあり,人間の心の暗さへの洞察や象徴主義的手法など多大の影響を受けた。 51年に傑作『モービー・ディック (白鯨) 』 Moby-Dickを刊行するが,当時の読書界にはまったく受入れられず,理想主義的な青年の真理探究の悲劇を描いた,次の大作『ピエール』 Pierre (52) も無視された。以降は,雑誌に実存主義的な傑作「バートルビー」 Bartleby the Scrivener (53) ,「ベニート・セレーノ」 Benito Cereno (55) などの短編を発表,短編集『ピアッザ物語』 The Piazza Tales (56) にまとめた。厭世的人間不信の奇書『詐欺師』 The Confidence-Man (57) を最後に詩作に転じ,聖地巡礼を主題にした長詩『クレアレル』 Clarel (70) など数冊の詩集がある。晩年は税関に勤めるなど,世間から忘れ去られた生活をおくり,ついに生前にはその真価を認められなかった。死後出版の中編『ビリー・バッド』 Billy Budd (1924) は,作者の到達した晩年の静謐な心境と諦観をうかがわせる。 20世紀に入り,その人間存在の深淵への洞察と多様な象徴主義的作風のゆえに,世界文学の巨匠の一人に数えられるにいたった。 メルビル
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