German linguist and researcher of Romance language literature. He served as a professor at the University of Munich from 1911 onwards. He viewed language as a creative activity of the mind, and under the influence of the Italian philosopher Croce, he asserted the fundamental identity of language and art. Advocating idealism and opposing positivist linguistics, he developed a linguistics that placed literary research at its core, and left behind a vast body of writing on Italian, French and Spanish literature. His influence extends to German literary studies as well as parts of modern poetics. Two of his works on fundamental considerations have been translated by Kobayashi Hideo into the book "Language Aesthetics" (1935). [Kenichi Sasaki, July 20, 2018] "Linguistic Aesthetics" translated by Hideo Kobayashi (1935, Koyama Shoten / expanded edition, 1986, Misuzu Shobo) [References] | |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
ドイツの言語学者、ロマンス語系文学の研究者。1911年以後ミュンヘン大学教授を務めた。精神の創造活動として言語をとらえ、イタリアの哲学者クローチェの影響下に、言語と芸術との根源的同一性を主張。観念論を標榜(ひょうぼう)して実証主義的言語学に反対し、文学研究を中核とする言語学を展開、自らイタリア、フランス、スペインの文学に関する膨大な著作を残した。その影響はドイツの文芸学のほか、現代の詩学の一部にも及んでいる。彼の原理的考察の著作2編が、小林英夫(こばやしひでお)の手で『言語美学』(1935)として訳されている。 [佐々木健一 2018年7月20日] 『小林英夫訳『言語美学』(1935・小山書店/増補版・1986・みすず書房)』 [参照項目] | |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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