The term means "to trick the eye," and in the visual arts, refers to pictorial expressions that give the illusion that the depicted objects are actually there, that is, "trompe l'oeil." In the sense of deceiving, illusionism and anamorphosis are also examples, but in the narrow sense, it refers to still life paintings that cleverly use optical illusions, such as cloth hung on the wall, pieces of paper pinned down, or flies landed on the picture plane. It developed well mainly in the United States in the 18th and 19th centuries. Its lineage can also be seen in 20th century American superrealism. Source: Heibonsha World Encyclopedia, 2nd Edition Information |
〈眼だまし〉の意で,造形芸術において,描かれたものが現実にそこに実在するかのような錯覚を与える絵画的表現,つまり〈だまし絵〉をいう。だますという意味ではイリュージョニズムやアナモルフォーズもそうであるが,狭義には,壁につるした布やピンで留めた紙片,画面にとまったハエなどをはじめとして,錯視効果を巧妙に利用した静物画を指す。18,19世紀におもにアメリカでよく発達した。その系譜は20世紀のアメリカでのスーパーリアリズムにも見られる。
出典 株式会社平凡社世界大百科事典 第2版について 情報 |
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