Teriha Kyogen

Japanese: 照葉狂言 - てりはきょうげん

Teru wa Kyogen is also called. The origin of the word is unclear, but Morisada Manko states that "Teri is said to be an abbreviation of Niwa Kyogen." It is a type of Noh and Kyogen that includes Imayo Noh Kyogen, Azuma Noh Kyogen, and Sensuke Noh. It is a type of Noh and Kyogen that incorporates Kabuki, Joruri, dance, and acrobatics, and adds shamisen to the music and uses a distant view of the backdrop to create a Niwa style. It originated in Osaka during the Kaei era (1848-1854), and in the Ansei era (1854-1860), Yamamoto Shunzaburo's troupe moved to Edo and was active until the beginning of the Meiji era. In addition, Hayashi Jusaburo's troupe, in which women performed Noh and Kyogen, and men played the rhythm and sometimes the Kyogen, gained popularity. All of these troupes disappeared in the middle of the Meiji era.

Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information

Japanese:

「てるは狂言」ともいう。語源は明らかでないが『守貞漫稿』に「てりは，てには俄狂言の訛略と云り」とある。「今様能狂言」「吾妻能狂言」「泉祐 (仙助) 能」の系統で，本行の能，狂言に歌舞伎，浄瑠璃，舞踊，軽業などの入れ事をし，囃子に三味線を加え，遠見の書割りを使用して俄 (にわか) 風に仕立てたもの。嘉永年間 (1848～54) 大坂に興り，安政年間 (54～60) には山本春三郎一座が江戸に下って明治初年まで活躍した。このほか林寿三郎の一座では女性が能，狂言を演じ，拍子方，ときに狂言方も男性が担当して人気を得た。いずれも明治のなかばに滅んだ。

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