Koppou

Japanese: 骨法 - こっぽう
Koppou
〘noun〙① The bone structure of the body. Skeleton. Also used to refer to bone appearance. Also used to refer to buildings. ※Kaifuso (751), Biography of Prince Otsu, "The prince's bone structure is indistinguishable from that of a man or a subject." [Records of the Grand Historian, Biography of Huaiyin Hou]② A fundamental rule. A basic law. Also, generally, the foundation. A base. ※Koyasan documents - February 12, 1351 (Kan'o 2), Request for peace negotiations between the peasants of Tomobuchinosho lower manor, "In regard to the public affairs of our manor, the laws of the former manors have been revised. After the major inspection and settlement, both small public affairs can be settled with the bone structure. " ③ Etiquette, etiquette, and customs. ※Meiho Orai (mid 11th century) Kamisue "In the midst of singing and dancing, there is no more Koppo -ho." ※Koyasanhon Heike (early 13th century) 4 "Will you not forget the Koppo-ho at the mouth of the waterfall? A target arrow pierced by a hawk's feather is pointed at you." ④ The essence of arts and performing arts. Secret technique . Tip. Wind . ※Shakushi Orai (late 12th century) October day "A dancer has been presented with a special selection of Koppo -ho ." ⑤ Abbreviation of "Koppo-yohitsu (Koppo-ho-yohitsu)." [Essay] In the original Chinese usage, it expressed the meaning of the skeleton of the body, but it has come to express the root of things. In particular, in the Middle Ages, as in ③, it was used to express traditional customs, etiquette and customs, as well as the fundamental techniques of scholarship and the arts, the workings of excellent intuition and the essence of things.

Source: The Selected Edition of the Japanese Language Dictionary About the Selected Edition of the Japanese Language Dictionary Information

Japanese:
〘名〙① 身体の骨ぐみ。骨格。また、骨相。建造物などにもいう。※懐風藻(751)大津皇子伝「太子骨法、不是人臣之相」 〔史記‐淮陰侯伝〕② 根本となる規定。基本的な法規。また、一般的に、基礎。基盤。※高野山文書‐観応二年(1351)二月一二日・鞆淵庄下司百姓和談起請置文「於当庄公事法者、准旧領諸庄例、大検注治定以後、細々公事、両方共可骨法」③ 礼儀、故実などの作法。※明衡往来(11C中か)上末「就中歌舞事已以無骨法」※高野本平家(13C前)四「滝口の骨法(コッハウ)わすれじとや、鷹の羽にてはいだりける的矢一手ぞさしそへたる」④ 芸術、芸事などの神髄。奥儀(おうぎ)。こつ。風(ふう)。※釈氏往来(12C後)一〇月日「舞童、殊撰定骨法之輩、被献覧哉」⑤ 「こっぽうようひつ(骨法用筆)」の略。[語誌]本来の漢語の用法では、身体の骨格の意味を表わしたが、そこから転じて、物事の根本を表わすようになった。特に、中世では、③のように故実や礼儀作法の有り様やしきたりを表わしたり、学問や芸道の根本的な技法や優れた勘の働きや神髄を表わしたりした。

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