The tayuu name of the head of the Kiyomoto school of classical Japanese dance. First World(1777-1825) Son of Okamuraya Tobei, a merchant in Yokoyama-cho, Edo. Childhood name Yoshigoro. He became a disciple of the first Tomimoto Saigūdayū (later Shimizu Enjū), and succeeded the second Saigūdayū. He had a falling out with the second Tomimoto Buzendayū, the head of the school, and in 1808 (Bunkā 5) he changed his name to Bungoji Kiyomidayū in Osaka. In 1814, he changed his name to Kiyomoto Enjūdayū, based on the Kiyo and Tomimoto books of his mentor Shimizu Enjū, and founded the Kiyomoto-bushi school. Known for his beautiful voice, he was sung to Enjūdayū as "Two things that surpass the Miyakoza, and Tsuruya Namboku." In 1825 (Bunsei 7), the year after he changed his name to Kiyomoto Enjūsai, he was assassinated on his way home from the theater. There are various theories about this incident, and the prevailing theory is that it was an agent of Tomimoto's side, whose popularity had been stolen from him by Kiyomoto, but the culprit was never caught and the truth of this remains unknown. [Kiyohiro Hayashi and Yukinori Moriya] II(1802-1855) was the son of the first, and his childhood name was Misajiro. He came of age in 1816 (Bunka 13) under Matsudaira Harusato (Lord Fumai), the lord of Matsue Domain and a patron of Kiyomotobushi, and was given the name Eijudayu. In 1827 (Bunsei 10), he took on the name Eijudayu. In addition to a naturally beautiful voice, he was blessed with the company of such excellent shamisen players as the first Saibei and the first Eijiro, which allowed him to shine and create many famous songs. In 1845 (Koka 2), he changed his name to Taibei and was acclaimed as a master. In addition to his beautiful voice, which was said to be a "Bonnonjo" voice, he sang about the customs of the townspeople with a light, witty and free style, establishing a new genre of henka buyo (changing dance), and taking the world by storm. [Kiyohiro Hayashi and Yukinori Moriya] III(1822-58) was the son of the Fujidaya family of Imado-cho, Asakusa. He is said to have taken over as the third generation actor when the second generation actor, Taibei, changed his name, and in 1853 (Kaei 6) he performed as Taibei's waki at the Ichimura-za Theatre, but was generally not well received. The third generation actor was said to have been the second generation actor's disciple and the husband-in-law of his sister. [Kiyohiro Hayashi and Yukinori Moriya] IV(1832-1904) His original name was Saito Gennosuke. He was chosen as the husband of the second son's daughter Oha and took the name of the fourth son in 1858 (Ansei 5). He partnered with Kawatake Mokuami and left behind many masterpieces. In 1891 (Meiji 24), he changed his name to the second son Taibei, and in 1893 he changed his name to Enjuo. The fourth son was also known for his beautiful voice. He incorporated the hauta (traditional Japanese song) and utazawa (a type of Japanese folk song) that were popular at the time, and was a master of "yosogoto joruri," in which actors would perform gestures to the accompaniment of joruri (pure Japanese chanting) performed in nearby houses or in separate rooms. Kiyomoto Oha is also famous as the founder of kouta (traditional Japanese folk song). [Kiyohiro Hayashi and Yukinori Moriya] 5th(1862-1943), real name Shokichi Saito. At the urging of the 4th head of the school, his wife Oha, he registered with the Okamura family in 1890 (Meiji 23) and took the name Eijudayu. He inherited the position of head of the school in 1894 and held a name succession ceremony in 1897. He successfully improved the style of storytelling beloved among the traditional craftsmen class into a refined vocal style, aiming to raise the school's social status. [Kiyohiro Hayashi and Yukinori Moriya] VI(1926-1987). His real name was Okamura Kiyomichi. He was the grandson of the 5th. As the 4th Eijudayu, who was the 5th's biological son, died before his father in 1939 (Showa 14), he took the name of the 6th in 1948, passing through the 5th Eijudayu. In December 1981, he and the Kiyomoto school (Umekichi school), which had separated in 1922 (Taisho 11), jointly established the Kiyomoto Association, giving the impression that a historic reconciliation had been achieved, but the Kiyomoto school later withdrew from the association, and the great unification of the schools did not take place. [Kiyohiro Hayashi and Yukinori Moriya] 7th(1958-) His real name was Seitaro Okamura. He is the biological son of the 6th. His maternal grandfather was the 6th Onoe Kikugoro, and he performed on the Kabuki stage, but after the death of the 6th Onoe Kikugoro, he took on the name of the 7th in 1989 (Heisei 1). [Kiyohiro Hayashi and Yukinori Moriya] [References] | | | | | |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
清元節家元の太夫(たゆう)名。 初世(1777―1825)江戸・横山町の商人岡村屋藤兵衛の子。幼名吉五郎。初世富本斎宮太夫(いつきだゆう)(後の清水延寿)に入門し、2世斎宮太夫を継承する。家元の2世富本豊前(ぶぜん)太夫と不和対立し、1808年(文化5)大坂で豊後路清海(ぶんごじきよみ)太夫と改名した。14年恩師の清水延寿の清、富本の本を元にかえて清元延寿太夫と称し清元節一流を創設した。美声で知られ、「都座(みやこざ)に過ぎたるものが二つあり、延寿太夫に鶴屋南北(つるやなんぼく)」と唄(うた)われた。24年(文政7)清元延寿斎と改名した翌25年、劇場からの帰途暗殺された。この事件は諸説があり、通説は清元に人気を奪われた富本方の回し者ではないかというものであるが、犯人は捕えられずその真偽は不明である。 [林喜代弘・守谷幸則] 2世(1802―55)初世の実子で、幼名巳三治郎(みさじろう)。清元節の後援者であった松江藩主松平治郷(まつだいらはるさと)(不昧公(ふまいこう))によって1816年(文化13)元服、栄寿(えいじゅ)太夫の名を得た。のち27年(文政10)2世襲名。天性の美音に加えて、初世斎兵衛、初世栄次郎といった優れた三味線方の伴侶(はんりょ)に恵まれて光彩を放ち、数多くの名曲が生まれた。45年(弘化2)太兵衛と改名し、名人とうたわれた。「梵音声(ぼんのんじょう)」といわれた美声に加え、軽妙洒脱(けいみょうしゃだつ)に市井風俗を唄い、変化舞踊の新ジャンルを確立、一世を風靡(ふうび)した。 [林喜代弘・守谷幸則] 3世(1822―58)浅草今戸町藤田屋の息子で繁次郎。2世の太兵衛改名を期に3世を継承したといわれ、1853年(嘉永6)市村座で太兵衛のワキを語ったが総じてあまり評判は芳しくなかった。3世は2世の門弟、妹婿であったという。 [林喜代弘・守谷幸則] 4世(1832―1904)旧名斎藤源之助。2世の娘お葉(よう)の婿に選ばれて1858年(安政5)4世を襲名。河竹黙阿弥(もくあみ)と提携し数々の名品を残した。91年(明治24)2世太兵衛、さらに93年には延寿翁と改名している。4世も美声で知られている。当時流行の端唄(はうた)、うた沢(哥沢・歌沢)を取り入れ、付近の家や別の部屋で語る浄瑠璃(じょうるり)にあわせて俳優が仕種(しぐさ)をする「余所事(よそごと)浄瑠璃」に力を発揮した。清元お葉は小唄の創始者としても著名。 [林喜代弘・守谷幸則] 5世(1862―1943)本名斎藤庄吉。4世の妻お葉の懇望により、1890年(明治23)岡村家に入籍、栄寿太夫を名のったのち、94年家元を相続し、97年襲名披露を催す。旧来の職人層の間で愛好された語り口を、品のよい発声法に改めて、流派の社会的地位の向上を目ざし成功させた。 [林喜代弘・守谷幸則] 6世(1926―87)本名岡村清道。5世の孫。5世の実子であった4世栄寿太夫が父5世に先だって1939年(昭和14)に死去したため、5世栄寿太夫を経て48年6世を襲名した。22年(大正11)に分離した清元流(梅吉(うめきち)派)と64年12月、合同で清元協会を樹立、歴史的な和解がなったと思わせたが、のち清元流は退会、流派の大合同はならなかった。 [林喜代弘・守谷幸則] 7世(1958― )本名岡村菁太郎(せいたろう)。6世の実子。母方の祖父が6世尾上菊五郎(おのえきくごろう)という関係で歌舞伎(かぶき)の舞台を踏んだが、6世の死去に伴い1989年(平成1)7世を襲名した。 [林喜代弘・守谷幸則] [参照項目] | | | | | |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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