A harmonic theory in Western music of the 18th and 19th centuries that is clearly defined by major and minor keys, which regards the center of the key as the tonic note of the scale and emphasizes the functions of the three chords: tonic chords, dominant chords, and subdominant chords. Source: The Selected Edition of the Japanese Language Dictionary About the Selected Edition of the Japanese Language Dictionary Information |
〘名〙 西洋音楽で、長調、短調の明瞭な一八~一九世紀の調性的音楽で、調の中心はその音階の主音とみて主和音、属和音、下属和音の三つの和音の機能を重視する和声理論。
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