...The daisu itself was said to have been brought back from a Chinese Zen temple by Nanpo Shomei and passed down to Daitokuji. The Nanpo Roku states, "There were three Chinese dais in the Tozan Palace, but according to Shogo's notes, they were all attached to the dais and the long ones. The use of dais here and there was favored by Noami in Japan, and they were very cost-effective." This shows that the "Japanese daisu" was born from the "Chinese daisu" (Chinese dais). While the Chinese daisu (real daisu) was made of black lacquer (four pillars with real lacquer and lacquer work), the "bamboo daisu" made of white paulownia wood and four bamboo pillars, and the "Oki daisu" with two pillars exclusively for the hearth, gradually became more Japanese.... *Some of the terminology used to refer to "Karamonodaisu" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…台子自体も,南浦(なんぽ)紹明によって中国禅院で使用されたものが持ち帰られ,大徳寺に伝来するとされていた。《南方録》に,〈大台子,東山殿ニハ唐台三ツマデ御所持アリシカドモ,ハヾ・長サカネニ合タルハ一ツト紹鷗ノ覚書ニアリ,所々台子ヲ用ラルルニハ,日本ニテ能阿弥好ニテ,カネヨクコシラヘラレント〉とあって,〈唐物台子〉(唐台)から〈和物台子〉の成立したことを示している。唐物台子(真台子)が黒漆(真塗四本柱,蒔絵)であるのに対し,桐の白木,四本竹柱による〈竹台子〉,さらに炉専用の二本柱にした〈及台子〉としだいに和様化が進むのである。… ※「唐物台子」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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