…His representative work is the Choralis Constantine, which he composed mainly in four-part imitative counterpoint for the masses of the major feast days of the year, at the request of the Constance Cathedral Chapter. Among his secular works in various languages, Farewell Innsbruck, with its beautiful melody, was later adapted into a Protestant chorale, and is famous for being used by Bach in his St. Matthew Passion and other pieces. [Mariko Teramoto] … From 【Song】…French chansons have a chic and refined taste, while Italian madrigals, working hand in hand with literary mannerism, display stylistic sophistication in pastoral themes. German polyphonic lieds, with a romantic yearning hidden within the simplicity of wildflowers, produced such fine pieces as Isaac's four-part song "Goodbye Innsbruck." Alongside these polyphonic songs, songs were also performed to accompany the lute, a readily available instrument, and some pieces, such as "Flow My Tears" (also known as "Pavane of Tears") by the Englishman Dowland, became a huge hit. … *Some of the terminology used in the phrase "Goodbye Innsbruck" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…代表作は,コンスタンツ大聖堂参事会から依頼を受け,一年の主要な祝日のミサ固有式文を,主として4声の模倣対位法で作曲した《コラリス・コンスタンティヌス》である。また,各国語による世俗的な作品のうちの《インスブルックよ,さようなら》は,美しい旋律で後世プロテスタントのコラールに転用され,バッハがそれを《マタイ受難曲》等で用いていることで有名である。【寺本 まり子】。… 【歌曲】より…フランスのシャンソンには粋で洒脱な趣があり,イタリアのマドリガーレ(マドリガル)は文学上のマニエリスムと手を取りあって牧歌的題材の中に様式的洗練を示す。ドイツの多声リートは,野の花のような素朴さの中にロマンティックな憧れを秘め,イザークの4声の歌曲《インスブルックよ,さようなら》などの佳曲を生んだ。これらの多声歌曲と並んで,手近な楽器リュートを伴奏とする歌曲も行われ,イギリスのダウランドによる《流れよ,わが涙》(《涙のパバーヌ》の名でも知られる)のように一世を風靡する曲も現れた。… ※「《インスブルックよ,さようなら》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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