…His next work, Maude (1855), was an ambitious work that the poet called a “lyric monodrama,” but it was not as well received as his previous work. After this, he completed Enoch Arden (1864), a poem about a tragic love in a seaside town, and Idylls of the King (1859-89), a long poem that weaves Arthurian legend with the current trends of the time. He became more and more absorbed in the conflict between faith and doubt, hope and disappointment, and continued to explore the meaning of death and the immortality of the soul. “Beyond the Sand Bar” in Demeter and Other Poems (1889) can be said to be a farewell song to the poet’s return to the vast and infinite ocean. … *Some of the terminology explanations that refer to "Enoch Arden" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…つづく《モード》(1855)は,〈抒情的モノドラマ〉と詩人の呼ぶ野心作だったが,前作ほど好評ではなかった。このあと海辺の町の悲恋の詩《イノック・アーデン》(1864)や,アーサー王伝説に時代思潮を織りこんだ長編詩《国王牧歌》(1859‐89)を完成,ますます信仰と懐疑,希望と失意の葛藤にのめりこみ,死と霊魂不滅の意味を探求しつづけた。《ディミーターその他の詩編》(1889)の〈砂州をこえて〉は広漠無限の海へ復帰する詩人の人生への決別のうたであるといえよう。… ※「《イノック・アーデン》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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