...They also began to teach not only renku but also hokku and maekuzuke (preface verse). As haiku became popular and spread to the provinces, correspondence instruction and on-site instruction became necessary, and those who did the former as a profession were called 'tensha' (scoremasters), and those who did the latter exclusively were called 'angiya haiku masters'. At first, 'tensha' (scoremasters) gave critiques to submissions for a correction fee, but later they stopped correcting and only gave scores, and during the Genroku period (1688-1704), a performance format was established in which submissions were solicited by setting a deadline, the winning verses were published and distributed to the winners, and prizes were awarded for the verses with the highest scores. ... *Some of the terminology explanations that refer to "pilgrim haiku poets" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…また連句にかぎらず,発句,前句付(まえくづけ)の指導もするようになった。俳諧が大衆化し,地方に普及するに及んでは,文通指導や出張指導が必要となり,前者を業とする者を点者,後者をもっぱらとする者を行脚(あんぎや)俳諧師と呼んだ。点者ははじめは添削料をとって投稿に批点を加えたが,のちには添削をやめて点のみを加え,元禄年間(1688‐1704)には,締切日を定めて作品を募り,勝句を板行して勝者に配り,高点句には賞品を出す興行形態が整った。… ※「行脚俳諧師」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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