Giunta Pisano (English spelling)

…All of these painters were based on the Byzantine style, but against the backdrop of the economic prosperity caused by commercial activity in Pisa, Lucca, Arezzo, Florence, and other cities, they created paintings that responded to the humanistic religious feelings and fresh views of nature encouraged by the teachings of Francis. Giunta Pisano (active 1229-54), who was also active in Assisi, the Berlinghieri family of Lucca (Berlinghieri), and Guido da Siena (years of birth and death unknown) produced panel paintings of the Crucifixion and hagiography that mixed dramatic and solemn expressions with intimate details, while Margaritone d'Arezzo (years of birth and death unknown) produced refined and elegant images of the Madonna and Child. A little later, in Florence, the mosaics on the Baptistery ceiling became the catalyst for the birth of Florentine painting, and at the end of the 13th century, Cimabue appeared, producing figurative human figures, and Duccio di Buoninsegna of Siena pursued pictorial beauty, laying the foundations of the Florentine and Sienese schools, respectively.

*Some of the terminology that mentions "Giunta Pisano" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…いずれの画家たちもビザンティン様式を基盤としているが，ピサ，ルッカ，アレッツォ，フィレンツェなど，商業活動による経済的興隆を背景に，フランチェスコの教えに鼓吹された人間的な宗教感情や新鮮な自然観に呼応した絵画を創出した。アッシジでも活躍したピサのジュンタGiunta Pisano(1229‐54活動)，ルッカのベルリンギエリ家(ベルリンギエリ)や，シエナのグイードGuido da Siena(生没年不詳)は，劇的で荘厳な表現に，親近感のある細部描写を交えたキリスト磔刑図や聖人伝の板絵を，またアレッツォのマルガリトーネMargaritone d’Arezzo(生没年不詳)は洗練された優雅な聖母子像を描いた。やや遅れてフィレンツェでは洗礼堂大天井のモザイクがフィレンツェ絵画の誕生をもたらす契機となり，13世紀末にチマブエが現れ，造形的人間像を現出させ，シエナのドゥッチョ･ディ･ブオニンセーニャは絵画的美を追求して，それぞれフィレンツェ派とシエナ派の礎を築いた。…

※「Giunta Pisano」について言及している用語解説の一部を掲載しています。

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