…The art of Mannerism, such as that of Michelangelo, Pontormo, Rosso, Parmigianino, and Tintoretto, represents this crisis. In sculpture, Giambologna (1524-1608) is a representative example. They attempted to express ideas and emotions that could not be expressed by figurative means, through distorted proportions, lopsided spaces, and fantastic symbolic expressions. … From Giovanni da Bologna…A representative Mannerist sculptor from Flanders who was active in Florence. He was also known as Giambologna or Jean de Boulogne. He honed his craftsmanship under the influence of B. Ammanati in Florence, and became the greatest sculptor of the 16th century after Michelangelo. *Some of the terminology explanations that mention "Giambologna" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…この危機を代表するものがミケランジェロ,ポントルモ,ロッソ,パルミジャニーノ,ティントレットなど,マニエリスムの芸術である。彫刻ではジャンボローニャGiambologna(1524‐1608)が代表する。彼らは歪んだ比例,かたよった空間,奇想にみちた象徴的表現などによって,形象では表し得ぬ思想や情念を表現しようとした。… 【ジョバンニ・ダ・ボローニャ】より…フランドル出身で,フィレンツェで活躍したマニエリスムの代表的彫刻家。ジャンボローニャGiambologna,ジャン・ド・ブーローニュJean de Boulogneともいう。フィレンツェでアンマナーティB.Ammanatiの影響のもとに名人芸を磨き,16世紀におけるミケランジェロ以後最大の彫刻家となった。… ※「Giambologna」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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