…Although he wrote love poems and other works, his eight tragedies make him the greatest playwright in 16th-century France. These eight plays, “Porcy” (1568), “Hippolyte” (1573), “Cornelly” (1574), “Marc-Antoine” (1578), “The Trojan Women” (1579), “Antigone” (1580), “Bradamante” (1582), and “Jewes” (1583), were based on Greek tragedies, Seneca’s tragedies, the Bible, and Ariosto, and were not original works. His style inherited the tradition of humanist tragedy, but the lively development of scenes and powerful, flamboyant style of writing show a transition to baroque tragedy. … *Some of the terminology that mentions "Bradamante" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…作品の中に恋愛詩等もあるが,8編の悲劇によって16世紀フランス最大の劇作家とされる。《ポルシー》(1568),《イポリット》(1573),《コルネリー》(1574),《マルク・アントアーヌ》(1578),《トロイアの女》(1579),《アンティゴーヌ》(1580),《ブラダマントBradamante》(1582),《ユダヤの女たち》(1583)の8編は,題材をギリシア悲劇,セネカの悲劇のほか,聖書やアリオスト等にとり,創作ではない。作風は人文主義悲劇の伝統を継承するが,活発な場面の展開,力強く華やかな文体によって,バロック悲劇への推移を示す。… ※「《Bradamante》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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