If earthly existence is merely an illusion, then eternal life, or true existence, can only exist in heaven. This idea is best embodied in the religious plays performed by the religious orders that spearheaded the Counter-Reformation movement. In particular, Jesuit drama developed greatly between 1550 and 1650, with Jakob Biedermann (1578-1639), Pontanus, Avancini, and others active in the field. Martyr plays, which contain cruel scenes, were often performed in Jesuit dramas for the purpose of evangelization. From [Baroque Literature]…In these advanced countries, national unification was being carried out, and literature, the main area of culture, was created and accepted under a common understanding, whereas in Germany, which was made up of about 300 statehoods, and partly due to the influence of the Thirty Years' War, there were large regional differences and literary production was extremely diverse. In the Catholic south, Latin literature continued to dominate as in the Humanist period, and there were playwright Jakob Biedermann (1578-1639) and poet Jakob Balde (1604-68) and there was a strong tendency toward the Counter-Reformation. The imperial city of Nuremberg was home to Georg Philipp Harsdörffer (1607-58) and other poets of the highbrow "Société d'études herders et d'flowers" (1644), while eastern Silesia produced many Lutheran poets and playwrights, including Opitz, Friedrich von Logau (1604-55), Gerhart, and Grueffius, and thus, despite being on the outskirts, it had the feel of a literary center of the era. *Some of the terminology referenced in "Biedermann, J." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
… 地上の存在が仮象にすぎぬとすれば,永生,すなわち真の実在は天国にしかない。この考え方を最もよく体現しているのは,反宗教改革運動の先頭を切った教団で行われた教団劇であり,とくにイエズス会の演劇は1550‐1650年の間にひじょうな発展を遂げ,ビーダーマンJakob Biedermann(1578‐1639),ポンターヌス,アバンチーニなどが活躍した。イエズス会演劇では残酷な場面をもつ殉教者劇も,布教の目的でしばしば上演された。… 【バロック文学】より…これら先進諸国では国家統合が遂行されていたため,文化の主要領域である文学は共通の了解のもとに創作受容されていったのに対し,ドイツは約300の領邦国家であり,三十年戦争の影響もあって,地域的差異は大きく,文学生産は多様を極めた。南部のカトリック圏では人文主義時代と変わらずラテン語文学が優勢を占め,劇作家ビーダーマンJakob Biedermann(1578‐1639)や詩人バルデJakob Balde(1604‐68)らがおり,反宗教改革の傾向も強い。帝国都市ニュルンベルクにはハルスデルファーGeorg Philipp Harsdörffer(1607‐58)を筆頭に高踏的な〈牧人と花の結社〉(1644)の詩人たちがおり,東部シュレジエンではオーピッツをはじめにローガウFriedrich von Logau(1604‐55),ゲールハルト,グリューフィウス以下ルター色の濃い詩人劇作家が輩出し,辺境でありながらこの時代の文学的中心地の観があった。… ※「Biedermann,J.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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