Born: circa 1285, Siena A representative painter of the Sienese school in Italy. His early activities are unknown, but he is thought to have studied under Duccio, the founder of the school. He incorporated French Gothic style into the traditions of Byzantine art, and established the Sienese style of painting, which is emotional and narrative, making full use of flowing lines and captivating colors. Around 1340, he went to Avignon, France, by order of the Pope, and mixed the sweet style of the Sienese school with the Gothic traditions of Avignon, forming the unique Avignon school of painting and paving the way for the international Gothic style to take hold. While there, he became friends with the poet Petrarch, and his paintings were highly praised, and he also left behind a frontispiece to Virgil (Ambrosiana Library, Milan). His works include the Maestà (1315, Palazzo Publico, Siena), the Coronation of Robert of Anjou (17, Naples National Gallery), the Life of St. Martin (Basilica of San Francesco, Assisi), the Equestrian Statue of Guidoricio da Fogliano (28, Palazzo Publico, Siena), and the Annunciation (33, Uffizi Gallery). Martini |
[生]1285頃.シエナ [没]1344.7. アビニョン イタリア,シエナ派の代表的画家。初期の活動は不明であるが,同派の創始者ドゥッチオに学んだと思われ,ビザンチン美術の伝統にフランス・ゴシック様式を取入れ,流麗な描線と魅惑的な色彩を駆使して情緒的で物語性に富むシエナ派の画風を確立した。 1340年頃,教皇の詔命でフランスのアビニョンにおもむき,同地のゴシック的伝統にシエナ派の甘美な画風を交流させ,独特のアビニョン画派を形成,国際ゴシック様式の流行の端を開いた。同地では詩人ペトラルカと親交を結び,その画業を高く評価される一方,彼もウェルギリウス本扉絵 (ミラノ,アンブロジアーナ図書館) を残している。作品『マエスタ』 (1315,シエナ,パラッツォ・プブリコ) ,『ロベール・ダンジューの戴冠図』 (17,ナポリ国立美術館) ,『聖マルティーノ伝』 (アッシジ,サン・フランチェスコ聖堂) ,『グイドリッチオ・ダ・フォリアーノの騎馬像』 (28,シエナ,パラッツォ・プブリコ) ,『聖告』 (33,ウフィツィ美術館) 。 マルティーニ
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