A painting theory originating from the Latin word supremus, meaning "supreme." It is translated as supremacy or absolutism. It was proposed by the Russian painter Malevich at the beginning of World War I, and is a painting theory that calls for extreme simplification of the subject and makes pure sensibility absolute. Malevich wrote a pamphlet called "From Cezanne to Suprematism," and in 1914 released a work called "Dynamic Suprematism." In the Soviet Union, it was defined as a type of abstract art, but it was not officially recognized for a long time, and as a result, it was not adopted as an encyclopedia entry until the thaw after Stalin's death, after appearing in the 1920s. This is closely related to the evaluation of its proponent Malevich, and although Malevich is still not fully accepted today, the influence of the Russian Suprematism movement on subsequent Western European art is by no means small. [Hiroshi Kimura] [Reference items] | |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
ラテン語のsupremus「至高」を起源とする絵画理論。至高主義または絶対主義と訳されている。第一次世界大戦の初期にロシアの画家マレービチによって提唱されたもので、対象の極端な簡略化を求め、純粋感性を絶対とする絵画理論である。マレービチは『セザンヌからシュプレマティズムへ』というパンフレットを書くほか、1914年には『ダイナミックなシュプレマティズム』という作品を発表している。ソ連では抽象芸術の一種として規定していたが、長らく公式的には認められず、そのため百科事典の項目としても1920年代に登場したのち、スターリン死後の雪解けが訪れるまで採用されていない。このことは提唱者マレービチの評価とも密接につながり、現在もなおマレービチは全面的には容認されていないが、ロシアのシュプレマティズムの運動がその後の西ヨーロッパ美術に及ぼした影響はけっして小さなものではない。 [木村 浩] [参照項目] | |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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