French film. 1959 production. Jean-Luc Godard's feature debut, following Claude Chabrol's "Les Cousins" and François Truffaut's "The 400 Years Don't Understand," both made in the same year, this monumental work established the name of the Nouvelle Vague in the public's mind and has become a symbol of the genre. The original title means "out of breath." While stealing a car and killing a policeman along the way and continuing his escape, Michel (Jean-Paul Belmondo) clings to his female friend Patricia (Jean Seberg, 1938-1979) and loses track of time in their conversation. However, they are unable to communicate with each other. The film is sprinkled with memorable elements that at first glance seem unprofessional, such as jump cuts, which were created by carefully removing parts of scenes that had already been edited, and the deliberate incorporation of references to other films into the drama, and yet it beautifully portrays the ever-changing state of human consciousness and the texture of an existential reality ruled by chance and absurdity. [Deguchi Taketo] [References] | | |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
フランス映画。1959年作品。ジャン=リュック・ゴダールの長編デビュー作であり、同年製作のクロード・シャブロル監督『いとこ同志』、フランソワ・トリュフォー監督『大人は判(わか)ってくれない』に続き、ヌーベル・バーグの名を世間に定着させ、さらに現在ではその象徴となった記念碑的作品。原題の意味は「息切れ」。車を盗み、行きがかりで警官を殺して逃避行を続けながらも、ミシェル(ジャン・ポール・ベルモンド)は女友達のパトリシア(ジーン・セバーグJean Seberg、1938―1979)にまとわりつき、おしゃべりに時を忘れる。しかしコミュニケーションは成立していない。編集を終えていたシーンの何か所かをあとから細かく除去したために生じたジャンプカット、ドラマのなかに他の映画の引用をあえて持ち込む姿勢など、一見プロとは思えない表現をあちらこちらに印象深く散りばめながら、刻々変化していく人間の意識のありさま、偶然と不条理の支配する実存的現実の肌触りを見事に描いた。 [出口丈人] [参照項目] | | |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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