Kubugi

Japanese: 九部伎 - きゅうぶぎ

...The Sui Dynasty (581-619), which unified the North and South, attempted to revive gagaku, but because Western Region music was given importance at the imperial court, the ancient gagaku did not develop. Shichibu-gi, which combined Western Region and Korean music with Chinese folk music, later Nine-Buki, and Ten-Buki, which was perfected in the early Tang Dynasty, were used as official banquet music, but do not fall under the category of gagaku. However, around this time, the music official Zheng Yaku (540-591) hypothesized a theory based on the seven tones of the Western Regions, that seven tones each serve as a tonic to form seven scales (seven tones), and that the seven tones would produce 84 tones through twelve tunes, which was adopted into gagaku during the Tang Dynasty. ...

From "Jubuki"

...These are Qing Shang Gui, Wenkang Gui, and Guo Gui, which are derived from folk music, Guo Gui, Angkuo (Bukharan) Gui, and Tianzhu (Indian) Gui, which are derived from Western Regions music, and Goryeo Gui, which is derived from Korean music. During the reign of the next emperor, Yang Di, Guo Gui was renamed Xiliang Gui and Wenkang Gui was renamed Libi, and the two Western Regions musics of Shule (Kashgar) and Kangguo (Samarkand) were added to make the nine-piece ensemble. Taejong During the Tang dynasty, the solemn final ceremony of Kubuki was discontinued and changed to a bright and celebratory Jorakugi, which was placed first, and when Gaochang was conquered in 642, Gaochanggi was added, and thus Jubuki was established.

*Some of the terminology used in reference to "Kubuki" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…南北を統一した隋朝(581‐619)は雅楽の復興をはかったが，西域楽が宮廷で重視されたために，古制の雅楽は発展しなかった。西域系，朝鮮系の諸楽に中国俗楽を加えた七部伎，のちの九部伎および唐初に完成された十部伎は公式の宴饗楽として用いられたが，雅楽の範囲には入らない。しかしこのころ，楽官鄭訳（ていやく）(540‐591)は西域の七調に基づき，七声がそれぞれ主音となって七つの音階(七調)をなし，七調が十二律によって八十四調を生ずるという理論を想定し，これは唐代の雅楽にとり入れられた。…

【十部伎】より

…俗楽系の清商伎，文康伎，亀茲楽の要素をふくむ国伎，西域楽系の亀茲(クチャ)伎，安国(ブハラ)伎，天竺(インド)伎，朝鮮楽系の高麗(高句麗)伎がそれである。次の煬帝（ようだい）のとき国伎を西涼伎，文康伎を礼畢と改名し，新たに疏勒(カシュガル)，康国(サマルカンド)の両西域楽を加えて九部伎とした。太宗(唐)のとき九部伎最後の厳かな礼畢を止め明るい慶賀の讌楽伎に改め，これを最初におき，しかも642年高昌を平らげると高昌伎を加えて，ここに十部伎が成立した。…

※「九部伎」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典第２版について | 情報

<<: Kung Pok

>>: Payment Order - Kyufu Kamei