… In the following 18th century, poets and writers all concentrated on imitating and following the works of their predecessors such as Vondel, especially French classicism, and literary activity stagnated considerably. However, among these works, such as Pieter Langendijk's (1683-1756) comedy The Marriage Fraud (1714), which was modeled on Molière, Justus van Effen's (1684-1735) essay The Dutch Spectator (1731-35), which was modeled on the English writers J. Addison and Steele, and Sarah Burgelhardt (1782), a novel in the form of an epistolary novel, co-written by two female writers, Betje Wolff (1738-1804) and Aagje Deken (1741-1804), are noteworthy. During this period (1795-1813) of national suffering in the Netherlands as a result of the French Revolution and its subjugation to France, Bilderdijk, who wrote the lyric poem "Prayer" (1796) and the play "Floris V" (1808), played an important role as a pioneer of Dutch Romanticism. *Some of the terminology that mentions "Effen, J. van" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
… 続く18世紀の詩人,作家はこぞってフォンデルなどの先人の作品,とくにフランスの古典主義の模倣と追従に終始して,文学活動は著しく沈滞した。しかしそのなかで,モリエールにならったランゲンデイクPieter Langendijk(1683‐1756)の喜劇《結婚詐欺》(1714),イギリスのJ.アディソン,スティールを手本としたエッフェンJustus van Effen(1684‐1735)の随筆《オランダのスペクテーター》(1731‐35),2人の女流作家ウォルフBetje Wolff(1738‐1804)とデーケンAagje Deken(1741‐1804)の共同執筆による書簡体小説《サラ・ブルヘルハルト》(1782)などが注目を引く。また,フランス革命の影響によるオランダのフランス服属という民族受難のこの時期(1795‐1813)に,抒情詩《祈り》(1796),戯曲《フローリス5世》(1808)などを書いたビルデルデイクは,オランダ・ロマン主義の先駆として重要な役割を演じた。… ※「エッフェン,J.van」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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