...In northern Germany, Arp Schnitger produced the Hamburg style organ, the largest at the time, with five pipes, in the late 17th century, about a century after Niehoff, and thus achieved the synthesis of the Baroque organ. Scheidemann (c. 1596-1663), S. Scheidt, F. Tunder (1614-67), D. Buxtehude, G. Böhm (1661-1733), N. Bruhns (1665-97), and JA Reincken (1623-1722), who were successors of Sweelinck, were active mainly in the Hanseatic cities of Hamburg and Lübeck, and established the North German style with organ chorales based on Protestant chorales (congregational songs) and multi-part toccatas that featured spectacular pedals. At the pinnacle of this diverse development of organ music is J.S. Bach, who left behind many immortal masterpieces that beautifully combined the traditions of various countries. *Some of the terminology that mentions "Tunder, F." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…北ドイツでは,シュニットガーArp Schnitgerが,ニーホフから約1世紀後の17世紀後半に,ハンブルク様式とよばれる当時最大の五つのパイプ群から成るオルガンを世に出し,バロック・オルガンの総合を成しとげた。スウェーリンクの系譜をつぐシャイデマンH.Scheidemann(1596ころ‐1663),S.シャイト,トゥンダーF.Tunder(1614‐67),D.ブクステフーデ,ベームG.Böhm(1661‐1733),ブルーンズN.Bruhns(1665‐97),ラインケンJ.A.Reincken(1623‐1722)らがハンブルク,リューベックなどのハンザ自由都市を中心に活躍し,プロテスタントのコラール(会衆歌)に基づくオルガン・コラールやペダルが華々しく活躍する多部分構成のトッカータなどで,北ドイツ様式を打ち立てた。この多様なオルガン音楽の発展の頂点に位置するのがJ.S.バッハで,各国の伝統をみごとに融合した不朽の名作を数多く残した。… ※「Tunder,F.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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