…American serials were linked to newspaper fiction and were supported by daily newspapers, which competed to publish novels that could be adapted into films on weekends. In order to overpower the Hearst-affiliated Chicago American, the Chicago Tribune teamed up with William Selig, who had created the first Hollywood studio in 1909, to produce America's first serial, The Perils of Pauline (1913), a 15-episode series starring the "fearless girl" Kathleen Williams, which was shown in 13 parts from January to May 1914. Meanwhile, the Chicago American teamed up with Pathé to release the 20-episode adventure melodrama The Perils of Pauline (1914), starring Pearl White (1889-1938) and directed by Louis Gasnier (1878-1963), from April to December. The phenomenal success of "Pauline's Peril" led Pathé, which planned to produce six serials a year, to follow up with a hit with "The Fist (Hélène's Honor)" (1915), starring White, and other companies began competing to produce serials. *Some of the terminology that refers to "The Perils of Pauline" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…アメリカの連続活劇は新聞小説と結びつき,日刊新聞に支援されたことにその特色があり,新聞は週末にはその映画化が見られる小説を競って掲載する。《シカゴ・トリビューン》はハースト系の《シカゴ・アメリカン》を圧倒するため,1909年にハリウッドで最初の撮影所をつくったウィリアム・セーリグと手を結び,〈恐れを知らない娘〉カスリーン・ウィリアムズ主演で15のエピソードからなるアメリカ最初の連続活劇《カスリーンの冒険》(1913)を製作,14年1月から5月まで13編に分割上映し,一方,《シカゴ・アメリカン》はパテー社と結び,パール・ホワイトPearl White(1889‐1938)主演,ルイ・ガスニエLouis Gasnier(1878‐1963)監督の20のエピソードからなる冒険メロドラマ《ポーリンの危難The Perils of Pauline》(1914)を4月から12月にわたって公開して対抗した。この《ポーリンの危難》の驚異的な成功により,年6本の連続活劇の製作を計画したパテー社は,つづいてホワイト主演の《拳骨(エレーヌの勲功)》(1915)をヒットさせ,各社は競って連続活劇をつくることとなった。… ※「《The Perils of Pauline》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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