Tissé, E. (English spelling) TisseE

…In 1924, he supervised the editing of the Russian version of F. Lang's Dr. Mabuse (1922), where he further studied the effects of editing, which he had known since his student days, especially through the works of D.W. Griffiths. Realizing the limitations of theater, he turned to film, and for his first feature film, The Strike (1924), he teamed up with the experienced cameraman Edouard Tissé (1897-1961), and this marked the beginning of a lifelong collaboration. The Strike was more highly praised abroad than in the Soviet Union, and his next film, Battleship Potemkin (1925), which he was commissioned to shoot by the Central Committee, was enthusiastically received by audiences both at home and abroad, demonstrating the existence of Soviet cinema to the world and becoming a monumental work in the history of world cinema. …

*Some of the terminology that mentions "Tissé, E." is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…24年，F.ラングの《マブゼ博士》(1922)のロシア語版編集の監修に携わり，学生時代からとくにD.W.グリフィス作品を通じて知っていた〈編集〉の効果をさらに深く学ぶ。演劇の限界を自覚して映画に転じ，初めての長編《ストライキ》(1924)で経験豊かなカメラマン，ティッセEdouard Tissé(1897‐1961)と組み，生涯にわたる協力がここから始まった。《ストライキ》はソビエト国内よりも国外で高く評価され，また次に中央委員会から委託されて撮った《戦艦ポチョムキン》(1925)は国の内外の観客大衆に熱狂的な好評で迎えられ，ソビエト映画の存在を世界に示すとともに世界映画史を飾る記念碑的作品となった。…

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