...The modern group of painters who have escaped the strong influence of the Heidelberg School are divided into two major trends: representational painters who have adopted new Western techniques and begun to express themes related to Australia with new designs, and abstract painters who have escaped the yoke of cultural nationalism and are devoted to depicting modern sensibilities from an international perspective. Representatives of the former are Drysdale and Nolan, and representatives of the latter are Ian Fairweather (1891-1974) and John Olsen (1928-). However, Fred Williams (1927-) and Brett Whiteley (1939-92) and others have tended to compromise and sublimate the opposition between representation and abstraction. ... *Some of the terminology that mentions "Fairweather, I." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…ハイデルバーグ派の強い影響を脱していった現代画家群では,欧米の新技法をとり入れて新しい意匠でオーストラリアにかかわるテーマを表現し始めた具象画家たちと,文化ナショナリズムの軛(くびき)を脱して国際的立場から現代感覚の描出に専念する抽象画家たちが二大潮流をなす。前者の代表はドライズデール,ノーランで,後者のそれはフェアウェザーIan Fairweather(1891‐1974),オルセンJohn Olsen(1928‐ )である。しかしウィリアムズFred Williams(1927‐ )やホワイトリーBrett Whiteley(1939‐92)らにおいては,具象・抽象の対立は折衷止揚されていく傾向にある。… ※「Fairweather,I.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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