The name of a dance in Noh and Kyogen. In Noh, it is a type of Chu-no-mai, and the musical form of Chu-no-mai is simplified from the formal five-dan to a three-dan, but when the dancer is a tsure or a child actor, the formal form is three-dan, so it is specifically called Sandan-no-mai. It is performed in plays such as "Takeshima," "Arashiyama," "Tsurukame," "Shozon," and "Sekidera Komachi." Like Chu-no-mai, there are Taiko Sandan-no-mai and Daisho Sandan-no-mai. In Kyogen, it is a simplified dance that imitates Noh's Sandan-no-mai. Like Chu-no-mai, it is a Ryuchukan style of music, but the overall performance is light, the flute melody has a sense of elegance, and the percussion instruments (kotsuzumi, otsuzumi, taiko) are limited to a simple hand arrangement of the Mitsuji style. Source: Heibonsha World Encyclopedia, 2nd Edition Information |
能,狂言の舞事(まいごと)の名。能の場合は中ノ舞(ちゆうのまい)の一種で,中ノ舞の楽式は正式五段であるのを略式三段にするが,舞い手がツレまたは子方のときは正式が三段であるので,特に三段ノ舞と称する。《竹生島》《嵐山》《鶴亀》《正尊(しようぞん)》《関寺小町》などで舞われる。中ノ舞と同様,太鼓三段ノ舞と大小三段ノ舞とがある。狂言の場合は,能の三段ノ舞を模して簡略化した舞事。中ノ舞と同じく呂中干(りよちゆうかん)形式の囃子であるが,総体に軽みを帯びた演奏で,笛の旋律は飄逸味を感じさせ,打楽器(小鼓,大鼓,太鼓)は三ツ地(みつじ)系の単純な手組に終始する。
出典 株式会社平凡社世界大百科事典 第2版について 情報 |
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