Dislike - Dislike

Japanese: 去嫌 - さりきらい

〘Noun〙① A general term for prohibitions in renga, wakan renga, haikai, and other forms of poetry that value change and dislike repetition and stagnation, to prevent the use of the same characters or the same things in close proximity in one volume. It is thought to have been a term dating back to the Edo period, and in the Muromachi period it was called "kiraimono" (things that are disliked) . In renga, the main items in the renga form are items that should be separated by two lines, items that should be separated by three lines, items that should be separated by five lines, items that should be separated by seven lines, etc., and are also called two lines removed, three lines removed, five lines removed, and seven lines removed, respectively, or two lines removed, three lines removed, five lines removed, and seven lines removed. Other examples include items that should not be used on the same side of a renga kaishi, and items that should not be used on the same fold. In Wakan Renku and Haikai, the five-phrase 'Kiri' in Renga became three-phrase, and the three-phrase 'Kiri' became two-phrase, and so on. 'Kiri'. * Haikai, Gokasa (1651), preface: "The page on the other side advanced and said, 'Though it is true, if it is not something that is disliked, I should not be so humble.'" ② Likes and dislikes. Picky. * Koyo Gunkan (beginning of the 17th century), item 15: "Since there are many people, I think it would be a pity to display the props so disliked." ③ (derived from ①) Something that should not be done. Foul play. * Joruri, Sekitori Nidai Shobutsuki (1768), "In the sumo match just now, there was a taboo in the gait, which I found particularly unpleasant ." ④ In Noh, a phrase used in a chant at a celebration or a departure, which describes something as something that is disliked. Examples include "noku," "saru," and "kaeru" at a wedding, and "shizumu" and "arashi" when setting sail. [Etymology] "Suru" and "kiau" are the same in the spirit of avoiding a volume of renga from flowing flatly, but when the main focus is on the number of lines, it is expressed as "suru" (how many lines), and when the main focus is on prohibiting the appearance of a certain word, it is thought to be expressed as "kiau," and so both expressions can be seen for the same content. It is an important concept in renga, and is used frequently, so it is thought that the shift in meaning to ② and ③ arose from it.

Source: The Selected Edition of the Japanese Language Dictionary About the Selected Edition of the Japanese Language Dictionary Information

Japanese:

〘名〙① 変化を尊び反復停滞を嫌う連歌、和漢連句、俳諧などで、一巻の中に同字、同事などが近接して多用されることのないように定められた禁制の総称。江戸時代にはいっての称と考えられ、室町時代は「嫌物(きらいもの)」という。連歌では、連歌形式の中に、打ち越し（二句）を嫌うべき物、三句を隔つべき物、五句を隔つべき物、七句を隔つべき物などに項目別に列挙されているのがその主なもので、それぞれ、二句去り・三句去り・五句去り・七句去り、または、二句嫌う・三句嫌う・五句嫌う・七句嫌う、などともいう。他に、連歌懐紙の同じ面を嫌うべき物・同じ折を嫌うべき物などもある。和漢連句や俳諧では、連歌の五句去りを三句去りに、三句去りを二句去りにするなど、ややゆるめて準用した。去り。※俳諧・御傘（1651）序「かたへの小姓すすみていはく、それはげにもながら、さりきらひの事にあらねば、あまりにおほぞうにや候べき」② 好き嫌い。えり好み。※甲陽軍鑑（１７Ｃ初）品一五「人も多ければ、道具なんどにさりきらひの仕置しても、いかがと思ふが」③ (①から転じて) してはならないこと。反則。※浄瑠璃・関取二代勝負附（1768）「只今の相撲、立ち合に忌有足取りにさり嫌(キラ)ひ有り」④ 能楽で、祝儀や門出などの席上の謡で、忌み嫌うべきものとする文句。婚礼の席での「のく」「さる」「かえる」、船出の時の「しずむ」「あらし」などの類。[語誌]「去る」と「嫌う」とは連歌一巻が平板に流れることを避けるという精神において同一であるが、句数の隔たりを主とした場合「去る」（何句去り）と表現し、ある語の出現を禁ずることを主とした場合「嫌う」と表現していると考えられ、同一内容について両様の表現がみられることがある。連歌において重要な概念であり、頻繁に使用されるところから、②③の転義を生じたと考えられる。

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