Kineya Rokuzaemon (10th generation)

Japanese: 杵屋六左衛門(10世) - きねやろくざえもん
Kineya Rokuzaemon (10th generation)

...The title of a Nagauta song. Lyrics by Lord Morioka Nanbu Risato, and music by the 10th Kineya Rokuzaemon. It was first performed in December 1845 (Koka 2) to celebrate the construction of the Nanbu residence in Fujimizaka, Azabu, Edo.

From [Practice Girl]

…Choreography by Fujima Kan'emon, Fujima Daisuke, Nishikawa Minosuke, and Nishikawa Yoshijiro. This is a revised version of the Nagauta piece "Practice Girl" (composed by Kineya Rokuzaemon 10th) from the Nine Transformations "Yae Koju Hana Sugatae" that Tamizo also danced at the Nakamuraza in July 1841 (Tenpo 12). A sheltered girl in a long-sleeved kimono dances on her way home from practice. …

From [Gakizaru]

...The original title is "Gekibushi Monkey". It was composed in July 1824 (Bunsei 7) by Kineya Saburosuke (later the 10th Kineya Rokuzaemon) with the aim of reviving the Gekibushi, which had already been lost at the time. Together with "Stone Bridge" and "Puppet Master", it is called the Three Gekibushi Songs and is treated separately in Nagauta. ...

From [Goro]

...Lyrics by Misumasuya Fumitaka. Music by Kineya Rokuzaemon 10th. Choreography by Nishikawa Senzo 4th.

From "The End is Widening"

...The original title is "Waka Midori Suehirogari (Young Birds Spread Wide)". Lyrics by Sakurada Jisuke III, music by Kineya Rokuzaemon X, choreography by Fujima Kanjuro III (Kamesan Kanjuro). It is based on the Kyogen play of the same name, but with a different feel, it has been turned into a dance with the daimyo as a woman and Tarokaja as a love messenger, focusing on the latter half of the musical accompaniment. ...

From [Tsurukame]

…[Yokomichi Mario] (2) Nagauta. First performed in 1851 (Kaei 4) at the residence of the lord of the Nanbu clan. Composed by Kineya Rokuzaemon 10. Based almost entirely on the lyrics of Noh plays, this is a magnificent and beautiful masterpiece. …

From Toba-e

...Lyrics by Nisoji Sansouya. Composed by 10th Kineya Rokuzaemon. The choreography is not clear.

From [Tomonobu]

...Lyrics by Segawa Jyoko II. Music by Kineya Saburosuke IV (Kineya Rokuzaemon 10). Choreography by Ichiyama Shichijuro, Fujima Daisuke (Fujima Kanjuro II), and Nishikawa Senzo IV.

From [Gourd Catfish]

...Lyrics by Segawa Jyokou II. Music by Kineya Rokuzaemon 10th and Kishizawa Shikisa 3rd. Choreography by Nishikawa Senzo 4th, Fujima Daisuke and others.

From [Rokkasen]

…Lyrics by Matsumoto Koji. Music by Kineya Rokuzaemon 10th and Kiyomoto Saibei 1st. Choreography by Fujima Kanjuro 2nd, Nishikawa Senzo 4th and Nakamura Katsugoro. …

*Some of the terminology that refers to "Kineya Rokuzaemon (10th generation)" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…長唄の曲名。作詞盛岡侯南部利済,作曲10世杵屋(きねや)六左衛門。1845年(弘化2)12月,江戸麻布不二見坂の南部邸新築祝に初演。…

【稽古娘】より

…振付藤間勘右衛門,藤間大助,西川巳之助,西川芳次郎。同じく多見蔵が1841年(天保12)7月中村座で踊った九変化《八重九重花姿絵》の中の長唄《稽古娘》(10世杵屋六左衛門作曲)を改めたもの。深窓の娘が振袖姿で,稽古帰りの様子を踊る。…

【外記猿】より

…本名題《外記節猿(げきぶしさる)》。1824年(文政7)7月,杵屋(きねや)三郎助(のちに10世杵屋六左衛門)が,当時すでに失われていた外記節の復活を目指して作曲。《石橋(しやつきよう)》《傀儡師(かいらいし)》と合わせて外記節三曲と称し,長唄でも別扱いされる。…

【五郎】より

…作詞三升屋二三治。作曲10世杵屋(きねや)六左衛門。振付4世西川扇蔵。…

【末広がり】より

…本名題《稚美鳥末広(わかみどりすえひろがり)》。作詞3世桜田治助,作曲10世杵屋六左衛門,振付3世藤間勘十郎(亀三勘十郎)。同名の狂言をもとにしているが,趣を変え,大名を女,太郎冠者を恋の使として後半の囃し物のくだりを中心に舞踊化したもの。…

【鶴亀】より

…【横道 万里雄】(2)長唄 1851年(嘉永4)南部藩侯邸で初演。10代杵屋(きねや)六左衛門作曲。ほぼ能の詞章にもとづいており,荘重で美しい名曲。…

【鳥羽絵】より

…作詞三升屋二三治(にそうじ)。作曲10世杵屋六左衛門。振りは伝わらない。…

【供奴】より

…作詞2世瀬川如皐。作曲4世杵屋三郎助(10世杵屋六左衛門)。振付市山七十郎,藤間大助(2世藤間勘十郎),4世西川扇蔵。…

【瓢簞鯰】より

…作詞2世瀬川如皐(じよこう)。作曲10世杵屋(きねや)六左衛門,3世岸沢式佐。振付4世西川扇蔵,藤間大助ほか。…

【六歌仙】より

…作詞松本幸二。作曲10世杵屋六左衛門,初世清元斎兵衛。振付2世藤間勘十郎,4世西川扇蔵,中村勝五郎。…

※「杵屋六左衛門(10世)」について言及している用語解説の一部を掲載しています。

出典|株式会社平凡社世界大百科事典 第2版について | 情報

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