Han Sǒlya (English name)

Japanese: 韓雪野 - かんせつや（英語表記）Han Sǒlya

Born: August 3, 1900, South Hamgyong Province
[Dead]?
Korean writer. He was arrested for participating in the March 1st Movement while attending Hampung High School, but came to Japan in 1921, graduated from Nihon University's Department of Sociology in 1924, and returned to Korea. He participated in the Cup in 1925, and was one of the core members of the Cup's reorganization in 1927. After liberation in 1945, he played a leading role in culture and politics, serving as Minister of Culture and Education, a member of the Workers' Party Central Committee, and chairman of the Central Committee of the Writers' Union. In 1962, he was criticized by the Workers' Party for ideological errors, and was expelled from all public offices and from his life as a writer. All of his works, including "Twilight" (1936), the trilogy "The Taedong River" (52), and "History" (54), went out of print. The criticism of Han Xueyeop marked a major turning point in the development of literature in North Korea. In other words, this criticism led to the production of many narrative poems and novels with a clearly partisan nature, and furthermore, the method of collective creative work by multiple writers and poets was actively introduced, leading to the production of epic masterpieces that deified Kim Il-sung, such as "The Road to History's Dawn," "Immortal History," "Ocean of Blood," and "The Fate of a Member of the Self-Defense Forces."

Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information

Japanese:

[生]光武4(1900).8.3. 咸鏡南道
[没]?
朝鮮の作家。咸豊高等普通学校在学中に三・一運動に参加して逮捕されたが，1921年来日，24年日本大学社会学科を卒業，帰国。 25年カップに参加，27年カップ再編成の中心メンバーの一人となった。 45年の解放後は北朝鮮で文化・教育相，労働党中央委員，作家同盟中央委員会委員長などをつとめ，文化，政治面で指導的役割を果したが，62年に思想的な誤りから労働党の批判を受け，すべての公職と作家生活から追放され，『黄昏 (たそがれ) 』 (1936) ，3部作『大同江』 (52) ，『歴史』 (54) などその全作品は絶版となった。韓雪野に対する批判は北朝鮮の文学発展の大きな転換点となった。すなわちこの批判を契機に，党派性の鮮明な叙事詩や長編が多くつくりだされるようになり，さらには，複数の作家，詩人による集団創作の方法も積極的に導入されて，『歴史の夜明け道』『不滅の歴史』『血の海』『或る自衛団員の運命』などの金日成を神格化する叙事的大作が生み出されるようにもなった。

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