...This was a transitional phenomenon, as no distinctive tayu had yet appeared in the Kami-Osaka region. Yamamoto Kakutayu (Yamamoto Tosa-no-jo), who had studied the Fumiya-bushi style at the Dewa-no-jo Theater in Osaka, performed the Ureibushi style in Kyoto around 1575 (Enpo 3). His pupil was Matsumoto Harutayu. *Some of the terminology explanations that refer to "Ureibushi" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…これは上方にまだ特色ある太夫が現れず,過渡期的現象であった。大坂の出羽掾座で文弥節を学んだ山本角太夫(かくたゆう)(山本土佐掾)が,75年(延宝3)ころ京でうれい節を語った(語り物に《しのだづま》ほか)。その門下に松本治太夫がある。… ※「うれい節」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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