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Japanese: ウチ

A term in Japanese music. A style of playing an instrument. Also called "utsume" and kanji "da" (strike). (1) In the shamisen, it is a style of playing in which the strings are struck at designated points with the fingers of the left hand, without plucking with the plectrum. It is also called "da" (strike) when the fingers of the left hand are brought together and the neck is lightly struck to create a pause. (2) In sokyoku, it is also called "uchizume" (strike the strings lightly with the pad of the nail of the middle finger, without plucking with the nails, and is often accelerando (gradually speeding up). However, in the Tsukushi koto, it refers to a style of playing that corresponds to tsukiiro in ordinary sokyoku, and in the "Itotake Shoshinshu," it refers to a style of playing that corresponds to kakitē. In the "Koto Taii-sho," the character "da" is used to notate when the strings are not plucked with the nails at the beats.

Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information

Japanese:

日本音楽の用語。楽器の奏法名。「うつ」ともいい，「打」の字をあてる。 (1) 三味線では，撥 (ばち) で弾かずに，左手の指で弦の指定された勘所を打つ奏法。また，休止にあたるところで，左手の指をそろえて棹を軽くたたいて間 (ま) をとるときにもいう。 (2) 箏曲では，打爪ともいい，爪で弾かず，中指の爪皮の腹で弦を軽く打続ける奏法をいい，アッチェレランドする (次第に速める) ことが多い。ただし，筑紫箏では，普通の箏曲のツキイロにあたるような奏法をいい，『糸竹初心集』では，カキテにあたる奏法をいった。また『箏曲大意抄』では，拍にあたるところで，爪で弦を弾くことがない場合の記譜として「打」の字が用いられている。

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