After flyer - After flyer

...As the koto was increasingly used in ensemble with jiuta sangenkyoku and the koto's variation increased, the technique of kakeai (interchangeable playing) in which the sangen and koto played alternately developed. The section that includes this kakeai is called the original tegoto (hon tegoto), and the section that follows shows a mood similar to the conclusion, but the kakeai appears again, called naka chirashi, and the true conclusion that follows is called hon chirashi or ato chirashi. Pieces with this structure that place emphasis on tegoto are called tegotomono or te no mono, and became popular in Kyoto compositions especially after the Bunkasei period (1804-30).

*Some of the terminology explanations that refer to "after flyers" are listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…地歌三弦曲に箏が合奏されることが進んで，箏の変奏度が高まるにつれて，三弦と箏とが交互演奏を行う掛合（かけあい）の技法が発達した。この掛合を含む部分を本来の手事(本手事)として，それに続く部分でいったん終結部に近い気分を示すが，しかし，再び掛合も出てくる部分を，中チラシといい，その後の本当の終結部を本チラシまたは後（のち∥あと）チラシといった。こうした構造の，手事に比重のあるものを手事物，手の物などといい，とくに化政期(1804‐30)以後の京都における作曲で盛んになった。…

※「後チラシ」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典 第２版について | 情報