...In the analytical stage, the subject is broken down into elements of lines and surfaces, color is suppressed, and the path to dry abstraction is followed, but on the other hand, painting abandons the reproduction of three-dimensional space and acquires new value as an independent entity. In the synthetic stage, an effort is made to restore reality and everyday familiarity to painting, and trompe l'oeil and papier collé (collage) in which newspapers and labels are pasted onto the painting surface are introduced, and color is gradually revived. Here, the individual formative elements such as color, form, space, and symbolic language obtained by breaking down the subject, which were thoroughly examined in the previous stage, are synthesized to achieve the intended concept. ... From [Collage]...It is a French word meaning "glue", and refers to an art technique and works that emerged in the 20th century. The first examples were papier collé (meaning "glued paper"), which was created in 1912 by Picasso and Braque, who pasted pieces of newspaper, wallpaper, labels, stamps, matchboxes, etc. onto the painting. Before this, labels with titles and signatures were painted as if they were pasted on (trompe l'oeil), but these were always actual paintings. ... *Some of the terminology explanations that mention "papier collé" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…〈分析的〉段階では対象が線と面の要素に解体されて色彩が抑制され,無味乾燥な抽象化の道をたどるが,その一方,絵画は三次元的空間の再現を捨てて一個の自立的存在としての新しい価値を獲得する。〈総合的〉段階では絵画に現実性と日常的な親しみを回復する努力がなされ,トロンプ・ルイユ,新聞紙やラベルを画面に貼りつけたパピエ・コレpapier collé(コラージュ)が導入され色彩も徐々に復活された。ここでは前段階で十分に吟味された色彩,形態,空間,対象の解体によって得られた象徴的言語,といった個々の造形的要素が,意図された構想を達成するために〈総合〉された。… 【コラージュ】より…〈糊付け〉を意味するフランス語で,20世紀に現れた美術の一技法およびその作品を指す。1912年にピカソやブラックが新聞紙の断片,壁紙,レッテル,切手,マッチ箱などを画面に貼り付けたもの,すなわちパピエ・コレpapier collé(〈糊付けされた紙〉の意味)が最初の作例である。これ以前にも,題名や署名を書いたラベルをあたかも貼り付けられているかのように描く(トロンプ・ルイユ)ことが行われていたが,それはあくまでも実際に描かれたものであった。… ※「papier collé」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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