... Motets in the Baroque period continued the choral style of the Renaissance (JJ Fuchs, JS Bach, etc.), but also appeared in the cantata-like style of solo and chorus, supported by a basso continuo, accompanied by instruments playing obbligato melodies and the orchestra (Schütz's Symphonie sacrée). In France, a work for soloist and basso continuo was called a petit motet, while a large-scale work using soloist (group), chorus, and orchestra was called a grand motet. Since the second half of the 18th century, there have been no particularly new trends in the style of motets, except for the more delicate harmonic idiom and the incorporation of coloratura vocal virtuosity. ... *Some of the terminology that mentions "grand motet" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
… バロック時代のモテットは,一面ではルネサンスの合唱様式を継続するとともに(J.J.フックス,J.S.バッハら),通奏低音に支えられ,オブリガートの旋律を奏する楽器や管弦楽を伴う独唱,重唱のカンタータ風の作品も現れた(シュッツの《シンフォニエ・サクレ》)。なおフランスでは,独唱者と通奏低音のための作品を小モテットpetit motetと呼び,独唱者(群),合唱,管弦楽を駆使した大規模な作品を大モテットgrand motetと呼んで区別した。 18世紀後半以降,モテットの作風には和声的な語法がいっそう繊細になったことと,コロラトゥーラの声の妙技が入りこんできたこと以外,とくに新しい傾向はみられない。… ※「grand motet」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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