Giovanetti, M.

Japanese: Giovanetti，M.（英語表記）GiovanettiM

…In modern times, in addition to functioning as an administrative center, it is also known for the Avignon Arts Festival, which was established after World War II, and the avant-garde theater and "sound and light spectacle" held in the courtyard of the former Papal Palace are gaining more and more recognition every year. [Kouichi Kabayama]
[art]
As a result of the relocation of the Papacy, Italian painters such as Martini and Matteo Giovanetti (date of birth and death unknown) were invited to move there between 1340 and 1350, and Italian culture flourished in the Papal Palace (with Giovanetti and others working on the mural decorations). The early Renaissance art transplanted here spread to the courts of European countries through diplomatic missions, eventually giving rise to the International Gothic style.

From [International Gothic Style]

… International exchanges were already evident in the 1320s, when Giotto's innovations in Italian painting introduced three-dimensional effects and perspectives that suggested the presence of space, and in works north of the Alps, where a deeper understanding of humanity was shown in the expression of emotions. In the mid-14th century, however, they began to gain momentum through construction projects in the papal city of Avignon and the imperial city of Prague. The artisans who gathered in Avignon came from a variety of places, but Sienese painters such as S. Martini and Matteo Giovanetti (date of birth and death unknown) were invited to Avignon, where they worked on murals for the papal palace, altarpieces, and illustrations for manuscripts, and the influence of the Sienese school spread internationally through Avignon. In Prague, Charles IV invited artisans not only from the local area, but also from France, Germany, and Italy to build the cathedral and Karlstejn Castle. …

*Some of the terminology that mentions "Giovanetti, M." is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…現代にあっては，行政上の中心として機能するほか，第2次大戦後発足したアビニョン芸術フェスティバルをもって知られ，旧教皇庁の中庭でおこなわれる前衛劇，および〈音と光のスペクタクル〉は，年々評価が高まっている。【樺山紘一】
［美術］
　教皇庁が移された結果，1340‐50年ころにかけて，イタリアの画家マルティーニ，ジョバネッティMatteo Giovanetti(生没年不詳)などが相次いで招かれて移り住み，教皇宮殿(ジョバネッティなどがその壁画装飾にあたる)を舞台に，イタリア文化が花開いた。ここに移植された初期ルネサンス美術は，外交使節を通じてヨーロッパ各国の宮廷に伝播し，やがて国際ゴシック様式を生むことになる。…

【国際ゴシック様式】より

…　国際的交流は，1320年代すでにジョットにはじまるイタリア絵画の革新の影響として，空間の存在を暗示する立体感や遠近感表現の画面への導入や，感情表現に示される人間解釈の深化がアルプス以北の作品に散見されることから立証されているが，14世紀中葉，教皇の都アビニョンと皇帝の都プラハでの造営事業を通じて本格化する。アビニョンに集まった工人の出身地は多彩であるが，S.マルティーニ，ジョバネッティMatteo Giovanetti(生没年不詳)などシエナ派の画家が招かれ教皇庁壁画，祭壇画，写本挿絵制作などに活躍し，アビニョンを中継地としてシエナ派の影響が国際的に波及した。プラハでもカール4世が，地元のみならずフランス，ドイツ，イタリアから工人を招き，大聖堂やカールシュタイン城を造営した。…

※「Giovanetti，M.」について言及している用語解説の一部を掲載しています。

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