...In the 18th century, there were painters such as Canaletto and Tiepolo father and son, and the architect and great printmaker Piranesi. In France, the Fontainebleau School printmakers of the 1540s, J. de Belanger, and J. Caro, who studied in Italy, and A. Bosch, who studied under him, used an échoppe (French for "etching"), a tool that allowed the thickness of lines to be freely changed, to create etchings that could be mistaken for engravings. In the 18th century, in addition to painters such as JA Watteau, F. Boucher, and J. H. Fragonard, many other excellent professional printmakers, including the Saint-Aubans, Cochins, and Moreaus, produced prints of French paintings, making a wide impact abroad. ... *Some of the terminology explanations that mention "échoppe" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…18世紀にはカナレット,ティエポロ父子などの画家たち,建築家で大版画家のピラネージがいる。フランスでは1540年代のフォンテンブロー派の版画家群とJ.deベランジュそしてイタリアで学んだJ.カロ,それに学ぶA.ボスらはエショップéchoppe(フランス語)という線の太さが自在に変化できる道具でエングレービングと見まがうような表現をエッチングで行った。18世紀にはJ.A.ワトー,F.ブーシェ,J.H.フラゴナールらの画家のほかに,サントーバン家,コシャンCochin家,モローMoreau家その他の多数の優れた職業的版画家群がフランス絵画を版画化し,広く国外に印象づけた。… ※「échoppe」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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