After the Second World War, Renato Guttuso (1912-87), a figurative artist who advocated the theory of socialist realism, represented the Italian left in figurative art, while Giulio Turcato (1912- ) and Emilio Vedova (1919- ) advocated abstract techniques and sparked controversy. After the 1950s, a movement to change the realm of art became active, going beyond art as a tableau, with artists such as Alberto Burri (1915- ), who collaged the material itself, Luciano Fontana, who tore canvases with a razor, Piero Manzoni (1934-63), Jannis Kounelis (1936- ), and Giulio Paolini (1940- ), who presented the material itself. Today, contemporary Italian painters are at the forefront of an international movement exploring the use of technology, body art, and other possibilities. *Some of the terminology that mentions "Burri, A." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
… 第2次大戦ののち,社会主義リアリズムの理論を掲げる具象派のグットゥーゾRenato Guttuso(1912‐87)はイタリア左翼の具象芸術を代表し,トゥルカートGiulio Turcato(1912‐ ),ベードバEmilio Vedova(1919‐ )らは抽象的手法を主張し論争を巻き起こした。1950年代以後,すでにタブローとしての芸術をこえて,材質そのものをコラージュするブリAlberto Burri(1915‐ ),キャンバスをかみそりで裂くL.フォンタナ,物質そのものを提示するマンゾーニPiero Manzoni(1934‐63),クーネリスJannis Kounelis(1936‐ ),パオリーニGiulio Paolini(1940‐ )など,芸術の領域の変質を迫る運動が活発となった。今日,イタリアの現代画家は,テクノロジーの利用,ボディ・アートなどさまざまな可能性を探求する国際的な動きの中で,その第一線に立っている。… ※「Burri,A.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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