...Even during the "jazz boom," bands and players who imitated white groups gained popularity. However, behind them were a group of underground musicians led by Shotaro Moriyasu (1924-55) and Toshiko Akiyoshi Tabackin (1929- ), who endured poverty and studied the records of black modernists such as Charlie Parker and Bud Powell. In this sense, the culture shock that the Jazz Messengers, led by black drummer Art Blakey, experienced when they came to Japan in January 1961 was significant. *Some of the terminology that mentions "Akiyoshi Tabackin, T." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…〈ジャズ・ブーム〉時代にも人気を得たのは,白人グループを模倣したバンドやプレーヤーであった。しかしその陰に,貧苦に耐えながらチャーリー・パーカーやバド・パウエルなど黒人モダニストのレコードに耳を傾けて勉強する,守安祥太郎(1924‐55),龝(秋)吉(あきよし)敏子Toshiko Akiyoshi Tabackin(1929‐ )を筆頭とする一群のアングラ・ミュージシャンがいた。その意味で1961年1月,黒人ドラマー,アート・ブレーキー率いるジャズ・メッセンジャーズJazz Messengersの来日公演が知識層に与えたカルチャー・ショックは重要である。… ※「Akiyoshi Tabackin,T.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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