A collection of poems by Hagiwara Sakutaro. Published by Shinchosha in 1923 (Taisho 12). It contains 55 poems selected from those published between 1917 and 1922, as well as a poetic treatise, "The Rhythm of Free Verse." The sense of fatigue that appeared in the latter half of his first collection, "Howling at the Moon," becomes even stronger and pervades the first volume of "Blue Cat." To express this, he makes use of the staccatoness of colloquial speech to induce "a musical ecstasy created by the beauty of rhythm." "Play the organ, woman. Wear your black kimono. Sit in front of the organ. Your fingers will crawl over the organ. Lightly, gently, and quietly, like the sound of falling snow. Play the organ, woman." ("Black Organ"). In terms of artistic merit, it far surpasses "Howling at the Moon." [Tadao Kubo] "'Appreciating Japanese Modern Literature 12: Sakutaro Hagiwara' (1981, Kadokawa Shoten)" Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
萩原朔太郎(はぎわらさくたろう)の詩集。1923年(大正12)新潮社刊。1917年から1922年の間に発表の詩から55編を選んで収め、ほかに詩論『自由詩のリズム』をつける。第一詩集『月に吠(ほ)える』の後半に現れた疲労感は、いっそう色濃くなって『青猫』一巻を覆っているが、これを表現するのに、口語の歯切れの悪さを逆用したりして、「韻律美によって構成される音楽的陶酔感」を招来せしめている。「おるがんをお弾きなさい 女のひとよ/あなたは黒い着物をきて/おるがんの前に坐(すわ)りなさい/あなたの指はおるがんを這(は)ふのです/かるく やさしく しめやかに 雪のふつてゐる音のやうに/おるがんをお弾きなさい 女のひとよ。」(「黒い風琴」)。芸術的価値においては『月に吠える』を遠く越えている。 [久保忠夫] 『『鑑賞日本現代文学12 萩原朔太郎』(1981・角川書店)』 出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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