"The Imperial Rescript on the Junhua Pavilion"

Japanese: 《欽定重刻淳化閣帖》 - きんていじゅうこくじゅんかかくちょう

…The second period is the Qianlong era, which is considered the later period of calligraphy. The academic foundations of calligraphy were established with the Peiwenzhai Calligraphy and Painting Compendium, a compilation of documents on calligraphy and painting from past dynasties, compiled by the Kangxi Emperor, and the Sanxi Tang Fatso and Chunhua Ge Tso, which were selected and reprinted by the Qianlong Emperor from the collection of the Inner Palace, and the Imperially Re-Inscribed Chunhua Ge Tso, which added historical research and commentary to the Chunhua Ge Tso. Zhang Zhao, Wang Wenzhi, and Liang Tongshu are representative calligraphers of this period, and Liu Yong is particularly revered as a distinguished calligrapher with a dignified style. …

From the Law Book

…In addition to the two kings, the contents include famous families from the Tang, Song, Yuan, and Ming dynasties. In the Qing dynasty, the Imperially Reprinted Chunhua Geju was created by imperial order of Emperor Qianlong, who reprinted the Geju. This is the definitive version of the Geju with the correct order and removed the forgeries that had been examined by previous authors. …

*Some of the terminology explanations that refer to "The Imperially Commissioned Re-Inscribed Chunhua Pavilion Notes" are listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…次に乾隆年間を帖学後期とする。康熙帝勅撰による歴代書画の文献の集大成した《佩文斎（はいぶんさい）書画譜》，乾隆帝勅撰の内府所蔵の名跡を選んで上石した《三希堂法帖》《淳化閣帖》に考証，釈文を加えた《欽定重刻淳化閣帖》などにより帖学の学問的基礎が成立し，帖学の隆盛期を迎えるに至った。張照，王文治，梁同書らがこの時期の代表的書人であり，なかでも劉墉（りゆうよう）は渾厚な風格を備えた名家として尊ばれる。…