…The flute plays a special melody called the “oroshino-fu,” and the percussion instruments also play the oroshino-like tunes. However, this musical phrase is not used in the final section of a dance or in dances of a more urgent nature, such as the “kyu-no-mai.” (3) A type of hayashigoto in Nagauta. … From [Kamimai]...This dance is performed refreshingly and smoothly, so it has a fast tempo among dances with a Ryuchukan base, but even among divine dances, it can be divided into groups such as "Yoro", "Shiga", and "Misozaku", and groups with faster tempos such as "Takasago", "Yumi Hachiman", and "Awaji", based on the difference in speed. The tempo of the Konparu school's "Awaji" and the alternate performances of "Takasago" and "Yoro" are even faster, and are classified as "Kyu no Mai", the fastest dance. [Matsumoto Yo]... From "Dance"...Noh dances are divided into "daishomono" (large-scale small-scale pieces) played on the flute (noh flute), small drum, and large drum, and "taikomono" (large-scale pieces) that also feature the taiko drum. Both types are often classified according to the type of "ji," which is the basic musical phrase played on the flute. That is, there are two types of dance, such as Jo no mai, Shin no Jo no mai, Chu no mai, Hayamai, Otoko mai, Kami mai, Kyu no mai, and Hano mai, which use a shared area known as the area of Riyochukan, and two types, such as Gaku, Kagura, Katsuko, Sagimidare (Sagi), Shojoran (Shojo), Shishi (Stone Bridge), and Ranbyoshi (Dojoji), which use their own specific area. The "Jo-no-mai" dance is performed quietly by female and elderly characters, and includes small-scale dances such as "Izutsu," "Eguchi," and "Teika," as well as drum pieces such as "Oshio" and "Hagoromo." *Some of the terminology explanations that refer to "Kyu no Mai" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…笛は〈オロシノ譜〉と呼ばれる特別な旋律を奏し,打楽器もオロシノ類を打つ。ただし,舞の最終節や,〈急ノ舞〉などの急迫した性格の舞事には,この楽句は置かれない。(3)長唄の囃子事の一種。… 【神舞】より…この舞事は,さわやかに淀みなく奏演されるので,呂中干(りよちゆうかん)の地をもつ舞事のなかではテンポが速いが,神舞のなかでも速度の差により,《養老》《志賀》《御裳濯》などのグループと,それより速いテンポの《高砂》《弓八幡》《淡路》などのグループに分けることができる。金春流の《淡路》や,替(かえ)の演出の《高砂》《養老》などはさらにテンポが速く,最も速度の速い舞事である〈急ノ舞〉となる。【松本 雍】。… 【舞事】より…能の舞事には,笛(能管)・小鼓・大鼓で奏する〈大小物(だいしようもの)〉と太鼓の入る〈太鼓物〉とがあるが,その両者を含めて,笛の基本の楽句である地(じ)の種類によって分類されることが多い。すなわち,呂中干(りよちゆうかん)の地といわれる共用の地を用いる〈序ノ舞〉〈真(しん)ノ序ノ舞〉〈中ノ舞(ちゆうのまい)〉〈早舞(はやまい)〉〈男舞(おとこまい)〉〈神舞(かみまい)〉〈急ノ舞〉〈破ノ舞(はのまい)〉などと,それぞれが固有の地を用いる〈楽(がく)〉〈神楽(かぐら)〉〈羯鼓(かつこ)〉〈鷺乱(さぎみだれ)(《鷺》)〉〈猩々乱(《猩々》)〉〈獅子(《石橋(しやつきよう)》)〉〈乱拍子(《道成寺》)〉などの2種がある。〈序ノ舞〉は女体,老体などの役が物静かに舞うもので,《井筒》《江口》《定家》などの大小物と《小塩(おしお)》《羽衣》などの太鼓物がある。… ※「急ノ舞」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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