…In the early Heian period, they introduced techniques from Chinese ceramics and began firing full-scale ash-glazed pottery, and eventually green-glazed pottery as well, solidifying their position as the center of ceramic production in Japan. Their products were mainly imitations of imported Chinese ceramics and metal Buddhist vessels, and were shipped nationwide, mainly from the Kinai region, from Iwate Prefecture in the north to Fukuoka Prefecture in the south, and were presented to the central government under the name of Owari porcelain (porcelain). In the mid-Heian period, this glazing technique spread throughout the Tokai region and even to Omi, but in the late Heian period, it ceded its central position to the Tono region of Gifu Prefecture. … *Some of the terminology that refers to "Owari porcelain" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…平安時代初期には中国陶磁の技法を導入して本格的な灰釉陶器を,やがて緑釉陶器も併せ焼くようになって,日本における窯業生産の中心的な地歩を固めた。その製品は輸入中国陶磁や金属製仏器の模倣を主としており,畿内を中心に北は岩手県から南は福岡県まで全国的に運ばれていて,当時〈尾張瓷器(しき)〉の名で中央に貢納していた(瓷器)。この施釉技法は平安中期には東海地方一円から近江にまで拡散したが,平安後期には岐阜県東濃地方にその中心的な地位を譲った。… ※「尾張瓷器」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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