Edo Joruri

Japanese: 江戸浄瑠璃 - えどじょうるり

A classification of Japanese music. (1) Refers to Edo's Kato-bushi, Tokiwazu-bushi, Tomimoto-bushi, Kiyomoto-bushi, Shinnai-bushi, etc., as opposed to Gidayu-bushi of the Kamigata. It is a type of Joruri with a strong song-like quality that was transformed from the puppet theater Kojoruri to accompany Kabuki after the Kyoho era (1716-36). (2) Refers generally to Joruri that was established or developed in Edo, including Kojoruri. Kojoruri includes Satsuma-bushi, Hizen-bushi, Kinpira-bushi, Eikan-bushi, Geki-bushi, Tosa-bushi, and Handayu-bushi. Tosa-bushi is a school of Tosa Shōjō and is unrelated to Yamamoto Tosa-jō of Kyoto. (3) It can also refer to Gidayu-bushi works written by Edo composers. Some examples include Fukuuchi Onigai's "Shinrei Yaguchi Watashi," Kigami Taro's "Go Taiheiki Shiraishi Banashi," and Matsunuki Shi and Shiba Shibaso's collaborative work "Kyara (Meiboku) Sendai Hagi."

Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information

Japanese:

日本音楽の分類名称。 (1) 上方の義太夫節に対して，江戸の河東節，常磐津節，富本節，清元節，新内節などをいう。享保 (1716～36) 以後に，人形芝居の古浄瑠璃から歌舞伎伴奏用に転成した，歌曲性の濃厚な浄瑠璃である。 (2) 江戸で成立または発達した浄瑠璃を，古浄瑠璃も含めて一般的にいう。その古浄瑠璃には，薩摩節，肥前節，金平 (きんぴら) 節，永閑節，外記 (げき) 節，土佐節，半太夫節などがある。土佐節は，土佐少掾の流派で，京都の山本土佐掾とは無関係。 (3) 義太夫節のうち，江戸作者による作品をいうこともある。福内鬼外の『神霊矢口渡』，紀上太郎の『碁太平記白石噺』，松貫四，司馬芝叟合作の『伽羅 (めいぼく) 先代萩』など。

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