Udesakiryu (Front) Style

…He was particularly skilled at playing the kokyū, and his excellent performance of “The Crane’s Nest” is recorded in Fujii Takanao’s “The Rules of the Shooting Instruments” (1808). The tradition of kokyū in Kyoto thereafter is called the Udezaki (sen) school, but its lineage is unclear. Udezaki was the teacher of Hirata-ke Terauchi Kengyo, grandfather of shakuhachi performer Nakao Tozan, and Suzuki Kengyo Utatsuichi (Yuyama), the teacher of Nagase Masaoichi, who taught jiuta shamisen music to Yamada-ryu koto performers in Edo. …

*Some of the terminology explanations that refer to "Udezaki (Sen) Ryu" are listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…とくに胡弓をよくし，藤井高尚の《弾物（ひきもの）のさだめ》(1808)にその《鶴の巣籠（すごもり）》の名演が記される。以後の京都の胡弓の伝承を腕崎(先)流と称するが，その系譜は明らかでない。尺八家中尾都山の祖父の平田家寺内検校や，江戸で山田流箏曲家に地歌三絃曲を伝えた長瀬勝男一（まさおいち）の師の鈴川検校歌通一(湯山)なども，腕崎を師として登官している。…

※「腕崎（先）流」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典 第２版について | 情報