In the history of painting, the term broadly refers to interior painters, and in the narrow sense, to painters who express a warm, intimate feeling in their interior paintings, typically Bonnard and Vuillard. The lineage of interior painting can be traced back to the end of the Middle Ages, when religious paintings were often set in the interior spaces of citizens, but it was established by 17th century Dutch artists such as Vermeer and Pieter de Hooch, and became one of the most important subjects of painting after the 19th century French Impressionism. However, Bonnard and Vuillard are often called by this name because they expressed an intimacy (sense of intimacy) by painting close family and friends, everyday scenes of dinner, conversation, and work, and the rays of light in the room that surround them, at night and during the day. [Kimio Nakayama] Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
絵画史では、広義には室内画家をさし、狭義には、その室内画に温かな親密な情感を表現する画家たち、典型的にはボナール、ビュイヤールたちをさしている。室内画の系譜は、中世末、宗教画がしばしば市民の室内空間に設定された時代にまでさかのぼりうるが、17世紀オランダのフェルメールやピエテル・デ・ホーホたちによって確立され、19世紀フランス印象派以降、もっとも主要な画題の一つになる。しかし、ボナール、ビュイヤールは、親しい家族や友人、ごく日常的な食卓や会話や仕事の情景、そしてそれらを包む室内の夜昼の光線を描き、アンティミテ(親密感)を現したため、しばしば彼らをこの名称でよぶ。 [中山公男] 出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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