...SI Mamontov, a patron of the Itinerant Exhibitionists, collected Russian peasant art for his private art museum and entrusted painters with the stage sets for his private opera house, while Shchukin and Morozov collected post-Impressionist Western art and made it available to the public. Under these circumstances, the "World of Art" (founded in 1898) of Diaghilev, Benois and others, influenced by the symbolism of Merezhkovsky and Blok, studied medieval Russian icons and approached Western Art Nouveau, while PV Kuznetsov, the Milyuty brothers, MS Salyan and others' "Blue Rose" (1907) came into contact with Fauvism and went beyond symbolism, moving towards primitivism. Larionov and his lover Goncharova, who belonged to the Blue Rose, formed the Jack of Diamonds in 1910 with II Mashkov, RR Farikh, and PP Konchalovsky, and invited French Cubists, the Munich Blaue Reiter, and the Georgian naive painter Pirosmanashvili (Pirosmani) to their exhibitions. * Some of the terminology that refers to "blue roses" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…移動展派のパトロン,S.I.マモントフは私設美術館にロシア農民美術を集め,私設オペラ劇場で画家たちに舞台装置をゆだね,他方シチューキンやモロゾフは印象派以後の西欧美術を収集して一般にも公開した。そのような状況の下で,ディアギレフ,ベヌアらの〈芸術世界〉(1898結成)は,メレシコフスキーやブロークの象徴主義の影響下に,ロシア中世のイコンに学びながら西欧のアール・ヌーボーに接近し,P.V.クズネツォフ,ミリューティ兄弟,M.S.サリヤンらの〈青いバラ〉(1907)は,フォービスムと接触して象徴主義をこえ,プリミティビズムにむかった。〈青いバラ〉に属したラリオーノフとその恋人ゴンチャロワは,1910年I.I.マシコフ,R.R.ファリク,P.P.コンチャロフスキーらと〈ダイヤのジャック〉を結成し,フランスのキュビスムやミュンヘンの〈ブラウエ・ライター〉,グルジアの素朴画家ピロスマナシビリ(ピロスマニ)らを展覧会に招待した。… ※「青いバラ」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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